Will AI replace Actors, entertainers and presenters?

Not as a job, but it is already doing parts of the work. Across the 174 official task statements scored for Actors, entertainers and presenters (United Kingdom, SOC 3413), 25% of the importance-weighted core work is made of tasks today's AI could already do most of. The overall exposure score is 28 out of 100 (range 24–33, band: low). That is a statement about tasks, not about headcount: this measures what AI could do, not whether any employer adopts it, whether the law allows it, or whether doing the routine parts faster creates more demand for the human parts. Figures are from release 2026-q4.1.

Which tasks in “Actors, entertainers and presenters” can AI already do?

The highest-scoring tasks in release 2026-q4.1 are: “Create programme logs to track broadcast content” (93/100, very high); “Update the programme or station website, ensuring that the on-air and online content are the same” (93/100, very high); “Archive past programmes for future broadcasting and reference” (93/100, very high). Each score comes from five published 0–4 ratings turned into a number by a published formula, and each carries the model's one-sentence reason on the page.

Which tasks in “Actors, entertainers and presenters” stay human?

About 67% of this job's task weight sits in work that scores low for AI exposure. The lowest-scoring tasks in release 2026-q4.1 are: “Play musical instruments, such as keyboard, guitar, or percussion instruments, during performances” (0/100, minimal); “Observe choral leaders or prompters for cues or directions in vocal presentation” (0/100, minimal); “Study with vocal coaches to rehearse for upcoming roles” (0/100, minimal). Low scores usually mean the task needs a body in a room, a legally accountable human, or trust built in real time. Those are the three things the scoring rubric treats as gates rather than obstacles.

What should someone working in “Actors, entertainers and presenters” do about AI?

Start from the ledger rather than the headline: 25% of this job's weighted core work is exposed, and roughly 67% is not. The practical move is to spend more of your week on the tasks that score low, the ones above, and to get fluent at directing AI through the tasks that score high, because those are the parts that change whether or not you are ready for them. This page does not predict your job, and nothing here is career advice tailored to you: the score describes the occupation, not the person.

How is the AI exposure score for Actors, entertainers and presenters calculated?

Each official task statement for the occupation is rated on five published 0–4 dimensions (output replicability, physical embodiment, licensed accountability, real-time human trust, and data availability) by claude-opus-5 using scoring prompt task_scoring_v1.0. The model never writes the score; a published formula turns the five ratings into a 0–100 number, so every score can be recomputed by hand. The occupation figure is the importance-weighted mean across 174 scored tasks. The prompt, the rubric, the formula and the full dataset are published at https://futureproof.collab365.com/method and https://futureproof.collab365.com/data/2026-q4.1 under CC BY 4.0.

UK dataswitch to US

Actors, entertainers and presenters

creating tailored playlists aligned with event functions, discussing interpretation and delivery with other members of the company and the director and working closely with directors. If that's your week, this page is about your job.

The honest answer

AI is already taking a real slice of the routine work here: researching roles to understand a character's background. That is a slice of tasks, not of you.

Your move: what you can actually do about this ↓

Where the work sits, by task weight

shifting to AI: 25%
changing shape: 7%
staying human: 67%

These bars are tasks changing hands, not people being counted out. The ledger below shows which.

Whole-job exposure score 28 out of 100 (24–33 allowing for uncertainty): low exposure, across 174 scored tasks. The number is the support for the sentence above it, not a headline about anyone’s future.

How we know this

What is measured: Every published task statement for actors, entertainers and presenters is rated on five dimensions: can a model produce the output, does the work need a body in a room, does it need a legally accountable person, does it depend on a person being trusted in the moment, and how much data exists. A published formula turns those five ratings into the score; the model never writes the number.

How the bar is built: Each task’s share of the bar is its published importance weight, so a task you do all day counts for more than one you do twice a year.

Release: 2026-q4.1, scores computed 2026-08-04. Read the full method.

That slice is not coming back; the core of the job, performing for live audiences, stays yours. The tools change hands, the accountability doesn't.

Your week, as this page understands it

Actors, entertainers and presenters sing, portray roles in dramatic productions, perform comedy routines, gymnastic feats and tricks of illusion, train animals to perform and perform with them, and introduce and present radio and television programmes. The job title says “actors”, “entertainers” or “presenters”: officially one job, several names. The real job is the part underneath: performing for live audiences. That is the thing someone has to be right about.

The exposed part of this job is specific, and we won’t pretend it is coming back. But actors, entertainers and presenters is not one task. It is 174 scored ones, and they are nowhere near equally exposed. The most durable of them, on this evidence, is performing for live audiences, and the ledger below shows exactly why.

Where the work sits, by task weight

shifting to AI: 25%
changing shape: 7%
staying human: 67%

These bars are tasks changing hands, not people being counted out. The ledger below shows which.

How we know this

How the bar is built: Each task’s share of the bar is its published importance weight, so a task you do all day counts for more than one you do twice a year.

Release: 2026-q4.1, scores computed 2026-08-04. Read the full method.

Your job, task by task

These are the official task statements for this occupation, in plain English, sorted by what the evidence says is happening to each one. The official wording sits under every line so you can check the rewrite against it.

Shifting to AI

50 tasks

Tasks today’s tools can already do most of. This is the part we will not soften: where these rows are the bulk of your week, the week changes.

Researching roles to understand a character's background
This is reading one thing and writing another: roles in, a record out. That is the shape today's tools are built for.
importance 80 · 3413/01, 3413/08
Source: “Research roles to understand a character's background.” (UK task statement)
How this row was scored
Exposure score: 75 out of 100 (71–79 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Background research on a character's world is desk work, and AI tools handle this kind of reading and summarising well.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Using social media to promote an act
This is reading one thing and writing another: social media in, a record out. That is the shape today's tools are built for.
importance 70 · 3413/03, 3413/06
Source: “Use social media to promote an act.” (UK task statement)
How this row was scored
Exposure score: 70 out of 100 (63–77 allowing for uncertainty): high exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Writing and scheduling promotional posts is something AI does well, though the artist's own voice still matters.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 4/4.
Collaborating with a manager or agent to handle administrative details
This is reading one thing and writing another: a manager in, a record out. That is the shape today's tools are built for.
importance 75 · 3413/01, 3413/08
Source: “Collaborate with a manager or agent to handle administrative details.” (UK task statement)
How this row was scored
Exposure score: 64 out of 100 (57–71 allowing for uncertainty): high exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Sorting out admin details with a manager is email and paperwork, which AI tools draft and track easily.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Creating tailored playlists aligned with event functions
This is reading one thing and writing another: tailored playlists in, a record out. That is the shape today's tools are built for.
importance 95 · 3413/05
Source: “Create tailored playlists aligned with event functions.” (UK task statement)
How this row was scored
Exposure score: 75 out of 100 (71–79 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Building a playlist to suit an event is exactly the kind of matching software already does well.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.

Changing shape

15 tasks

Tasks where the machine takes the producing and a person keeps the checking, the deciding, or the answering-for-it. For most jobs this is the biggest group, and it is where "transformation, not termination" is literally visible.

Narrating productions to convey stories or information
The software now makes the first pass at productions, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 70 · 3413/01, 3413/04
Source: “Narrate productions to convey stories or information.” (UK task statement)
How this row was scored
Exposure score: 56 out of 100 (49–63 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Narration is an audio file, and synthetic voices now produce usable narration for many productions.
The five ratings: output a model can produce 3/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Manipulating beats and integrating samples into music tracks
The software now makes the first pass at beats, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 95 · 3413/05
Source: “Manipulate beats and integrate samples into music tracks.” (UK task statement)
How this row was scored
Exposure score: 56 out of 100 (49–63 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Beat manipulation and sampling happen inside software, and AI music tools now do much of it automatically.
The five ratings: output a model can produce 3/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Creating original songs for performance
The software now makes the first pass at original songs, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 90 · 3413/08
Source: “Create original songs for performance.” (UK task statement)
How this row was scored
Exposure score: 58 out of 100 (51–65 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: AI music tools can produce songs, but material a singer wants to perform still needs their own shaping.
The five ratings: output a model can produce 2/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.

Staying human

109 tasks

Tasks that stay with a person, because they happen in the physical world, because the rules need someone accountable, or because the value is that a specific person does them.

Performing for live audiences
This work happens in the physical world: live audiences, in a real place. Software cannot follow it there.
importance 90 · 3413/01, 3413/03, 3413/06, 3413/08
Source: “Perform for live audiences.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Standing in front of a live audience is the whole task, and that needs a person in the room.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 0/4.
Attending auditions and casting sessions
This work happens in the physical world: auditions, in a real place. Software cannot follow it there.
importance 85 · 3413/01, 3413/04, 3413/07
Source: “Attend auditions and casting sessions.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Auditioning means turning up in person and being seen, which nothing at a screen can do for you.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 1/4.
Maintaining costumes and props for theatrical productions
This work happens in the physical world: costumes, in a real place. Software cannot follow it there.
importance 60 · 3413/01, 3413/03, 3413/06
Source: “Maintain costumes and props for theatrical productions.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Repairing and looking after costumes and props means handling the actual items.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 1/4.

Show the other 164 tasks

Creating programme logs to track broadcast content
shifting to AI
This is reading one thing and writing another: programme logs in, a record out. That is the shape today's tools are built for.
importance 85 · 3413/02
Source: “Create programme logs to track broadcast content.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Logging what was broadcast and when is routine record keeping that software already does reliably.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Updating the programme or station website
shifting to AI
This is reading one thing and writing another: the programme in, a record out. That is the shape today's tools are built for.
importance 80 · 3413/02
Source: “Update the programme or station website, ensuring that the on-air and online content are the same.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Keeping website content matched to what went on air is routine publishing that can be automated.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Archiving past programmes for future broadcasting and reference
shifting to AI
This is reading one thing and writing another: past programmes in, a record out. That is the shape today's tools are built for.
importance 75 · 3413/02
Source: “Archive past programmes for future broadcasting and reference.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Archiving programmes with the right labels and metadata is filing work that software does reliably.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Producing transcripts for programmes
shifting to AI
This is reading one thing and writing another: transcripts in, a record out. That is the shape today's tools are built for.
importance 75 · 3413/02
Source: “Produce transcripts for programmes.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Automatic transcription is now at least as accurate as a person typing from the recording.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Maintaining up-to-date contact lists for effective communication
shifting to AI
This is reading one thing and writing another: up-to-date contact lists in, a record out. That is the shape today's tools are built for.
importance 70 · 3413/02
Source: “Maintain up-to-date contact lists for effective communication.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Keeping contact records current is routine data work these tools handle accurately.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Advertising services using internet advertising and brochures
shifting to AI
This is reading one thing and writing another: services in, a record out. That is the shape today's tools are built for.
importance 80 · 3413/05
Source: “Advertise services using internet advertising and brochures.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Producing online adverts and brochure copy is routine promotional writing and layout.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Maintaining organisation of the music library
shifting to AI
This is reading one thing and writing another: organisation of the music library in, a record out. That is the shape today's tools are built for.
importance 80 · 3413/05
Source: “Maintain organisation of the music library.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Keeping a digital music library tidy and tagged is filing work that software does reliably.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Completing job reports
shifting to AI
This is reading one thing and writing another: job reports in, a record out. That is the shape today's tools are built for.
importance 60 · 3413/07
Source: “Complete job reports.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Job reports follow a set format and can be drafted automatically from the job details.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Updating the company's social media sites with relevant content
shifting to AI
This is reading one thing and writing another: the company's social media sites in, a record out. That is the shape today's tools are built for.
importance 90 · 3413/09
Source: “Update the company's social media sites with relevant content.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Writing and posting social content is routine production work software already does at normal standard.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Analysing web tracking data to identify effective strategies on various channels
shifting to AI
This is reading one thing and writing another: web tracking data in, a record out. That is the shape today's tools are built for.
importance 85 · 3413/09
Source: “Analyse web tracking data to identify effective strategies on various channels.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Reading web tracking data for what is working is standard analysis software already performs.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Tagging videos with web links for products you promote
shifting to AI
This is reading one thing and writing another: videos in, a record out. That is the shape today's tools are built for.
importance 85 · 3413/09
Source: “Tag videos with web links for products you promote.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Adding product links to videos is a routine tagging job that can be done automatically.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Preparing contracts for guest appearances
shifting to AI
This is reading one thing and writing another: contracts in, a record out. That is the shape today's tools are built for.
importance 50 · 3413/02
Source: “Prepare contracts for guest appearances.” (UK task statement)
How this row was scored
Exposure score: 88 out of 100 (84–92 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Appearance contracts follow standard templates, and producing a first draft from one is exactly what these tools do well.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 1/4 · needs to be trusted in the moment 0/4 · how much data exists 4/4.
Researching background information to prepare for interviews or programmes
shifting to AI
This is reading one thing and writing another: background information in, a record out. That is the shape today's tools are built for.
importance 80 · 3413/02
Source: “Research background information to prepare for interviews or programmes.” (UK task statement)
How this row was scored
Exposure score: 83 out of 100 (79–87 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Background research for an interview is broad reading and summarising, which software does quickly.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 4/4.
Maintaining up-to-date knowledge of current titles and changes in the market
shifting to AI
This is reading one thing and writing another: up-to-date knowledge of current titles in, a record out. That is the shape today's tools are built for.
importance 85 · 3413/05
Source: “Maintain up-to-date knowledge of current titles and changes in the market.” (UK task statement)
How this row was scored
Exposure score: 83 out of 100 (79–87 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Tracking new releases and chart movement is public information that AI tools follow easily.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 4/4.
Monitoring activities of other vloggers for trends
shifting to AI
This is reading one thing and writing another: activities of other vloggers in, a record out. That is the shape today's tools are built for.
importance 85 · 3413/09
Source: “Monitor activities of other vloggers for trends.” (UK task statement)
How this row was scored
Exposure score: 83 out of 100 (79–87 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Watching what other creators are doing is public data that software can monitor far faster than a person.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 4/4.
Preparing publications tailored for diverse audience groups
shifting to AI
This is reading one thing and writing another: publications in, a record out. That is the shape today's tools are built for.
importance 70 · 3413/09
Source: “Prepare publications tailored for diverse audience groups.” (UK task statement)
How this row was scored
Exposure score: 83 out of 100 (79–87 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Rewriting the same material for different audiences is exactly what these tools are good at.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 4/4.
Preparing speeches to support public relations objectives
shifting to AI
This is reading one thing and writing another: speeches in, a record out. That is the shape today's tools are built for.
importance 60 · 3413/09
Source: “Prepare speeches to support public relations objectives.” (UK task statement)
How this row was scored
Exposure score: 83 out of 100 (79–87 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Speech drafting is one of the strongest uses of these tools, though the speaker's voice needs adjusting.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 4/4.
Writing articles for newsletters
shifting to AI
This is reading one thing and writing another: articles in, a record out. That is the shape today's tools are built for.
importance 50 · 3413/09
Source: “Write articles for newsletters.” (UK task statement)
How this row was scored
Exposure score: 83 out of 100 (76–90 allowing for uncertainty): very high exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Newsletter pieces are quick for these tools to draft, though readers subscribe for the presenter's own voice and news.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 4/4.
Archiving details of calls for future reference and quality assurance
shifting to AI
This is reading one thing and writing another: details of calls in, a record out. That is the shape today's tools are built for.
importance 70 · 3413/02
Source: “Archive details of calls for future reference and quality assurance.” (UK task statement)
How this row was scored
Exposure score: 81 out of 100 (77–85 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Filing call details for later reference and quality checks is routine record keeping that systems already do.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 1/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Gathering job-related information from agents
shifting to AI
This is reading one thing and writing another: job-related information in, a record out. That is the shape today's tools are built for.
importance 80 · 3413/07
Source: “Gather job-related information from agents, including pay, dates, times, provisions, and durations.” (UK task statement)
How this row was scored
Exposure score: 79 out of 100 (75–83 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Collecting pay, dates and terms from agents is straightforward correspondence and record keeping.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Obtaining information about future modelling appointments
shifting to AI
This is reading one thing and writing another: information in, a record out. That is the shape today's tools are built for.
importance 80 · 3413/07
Source: “Obtain information about future modelling appointments.” (UK task statement)
How this row was scored
Exposure score: 79 out of 100 (75–83 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Chasing details of upcoming bookings is diary and email work that assistants handle well.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Writing cues for a show to guide production
shifting to AI
This is reading one thing and writing another: cues in, a record out. That is the shape today's tools are built for.
importance 90 · 3413/02
Source: “Write cues for a show to guide production.” (UK task statement)
How this row was scored
Exposure score: 75 out of 100 (71–79 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Writing cues is structured desk writing that AI tools draft well from a running order.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Generating running orders for live broadcasts or recordings
shifting to AI
This is reading one thing and writing another: orders in, a record out. That is the shape today's tools are built for.
importance 85 · 3413/02
Source: “Generate running orders for live broadcasts or recordings.” (UK task statement)
How this row was scored
Exposure score: 75 out of 100 (71–79 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Building a running order from known items and timings is planning work that suits AI tools well.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Preparing scripts, links and interviewing questions independently
shifting to AI
This is reading one thing and writing another: scripts, links and interviewing questions in, a record out. That is the shape today's tools are built for.
importance 85 · 3413/02
Source: “Prepare scripts, links, and interview questions independently.” (UK task statement)
How this row was scored
Exposure score: 75 out of 100 (71–79 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Scripts, links and interview questions are writing tasks that AI drafts well from briefing material.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Editing and producing audio using technology like Cool Edit Pro and Adobe Audition
shifting to AI
This is reading one thing and writing another: audio in, a record out. That is the shape today's tools are built for.
importance 80 · 3413/02
Source: “Edit and produce audio using technology like Cool Edit Pro and Adobe Audition.” (UK task statement)
How this row was scored
Exposure score: 75 out of 100 (68–82 allowing for uncertainty): high exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Audio editing software already automates much of the cleanup, and AI tools handle more of it each year.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Identifying stations for programme introductions or closures
shifting to AI
This is reading one thing and writing another: stations in, a record out. That is the shape today's tools are built for.
importance 80 · 3413/02
Source: “Identify stations for programme introductions or closures.” (UK task statement)
How this row was scored
Exposure score: 75 out of 100 (71–79 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Looking up which stations need introductions or closures is straightforward information work.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Updating scripts to reflect changes in the show's direction
shifting to AI
This is reading one thing and writing another: scripts in, a record out. That is the shape today's tools are built for.
importance 75 · 3413/02
Source: “Update scripts to reflect changes in the show's direction.” (UK task statement)
How this row was scored
Exposure score: 75 out of 100 (71–79 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Reworking a script to match a change of direction is editing work AI does well.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Performing administrative tasks relevant to the job role
shifting to AI
This is reading one thing and writing another: this work in, a record out. That is the shape today's tools are built for.
importance 65 · 3413/02
Source: “Perform administrative tasks relevant to the job role.” (UK task statement)
How this row was scored
Exposure score: 75 out of 100 (68–82 allowing for uncertainty): high exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: General office administration is screen-based, documented work software supports strongly.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Listening to music before playing at events to ensure recordings are appropriate and meeting quality standards
shifting to AI
This is reading one thing and writing another: music in, a record out. That is the shape today's tools are built for.
importance 90 · 3413/05
Source: “Listen to music before playing at events to ensure recordings are appropriate and meet quality standards.” (UK task statement)
How this row was scored
Exposure score: 75 out of 100 (68–82 allowing for uncertainty): high exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Screening tracks for quality and suitability is checking against known standards, which software can do.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Selecting music appropriate to the programme
shifting to AI
This is reading one thing and writing another: this work in, a record out. That is the shape today's tools are built for.
importance 80 · 3413/05
Source: “Select music appropriate to the programme, the audience and the station.” (UK task statement)
How this row was scored
Exposure score: 75 out of 100 (68–82 allowing for uncertainty): high exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Music scheduling software already picks tracks by audience and station, though the station's sound is set by people.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Seeking out new music suitable for live performance or recording
shifting to AI
This is reading one thing and writing another: new music suitable in, a record out. That is the shape today's tools are built for.
importance 80 · 3413/08
Source: “Seek out new music suitable for live performance or recording.” (UK task statement)
How this row was scored
Exposure score: 75 out of 100 (68–82 allowing for uncertainty): high exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Finding new repertoire is searching and listening, which recommendation tools already do well.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Editing videos using software to incorporate text and special effects
shifting to AI
This is reading one thing and writing another: videos in, a record out. That is the shape today's tools are built for.
importance 85 · 3413/09
Source: “Edit videos using software to incorporate text and special effects.” (UK task statement)
How this row was scored
Exposure score: 75 out of 100 (71–79 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Adding text and effects in editing software follows set recipes and is increasingly done automatically.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Planning market research to test products and assess potential success
shifting to AI
This is reading one thing and writing another: market research in, a record out. That is the shape today's tools are built for.
importance 65 · 3413/09
Source: “Plan market research to test products and assess potential success.” (UK task statement)
How this row was scored
Exposure score: 75 out of 100 (71–79 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Designing a research plan follows well-documented method that tools reproduce reliably.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Promoting a vlog to increase followers
shifting to AI
This is reading one thing and writing another: a vlog in, a record out. That is the shape today's tools are built for.
importance 90 · 3413/09
Source: “Promote a vlog to increase followers.” (UK task statement)
How this row was scored
Exposure score: 70 out of 100 (63–77 allowing for uncertainty): high exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Promoting a channel is content, scheduling and audience analysis, all of which AI tools do well.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 4/4.
Recording rates of pay and durations of jobs on vouchers
shifting to AI
This is reading one thing and writing another: rates of pay in, a record out. That is the shape today's tools are built for.
importance 60 · 3413/07
Source: “Record rates of pay and durations of jobs on vouchers.” (UK task statement)
How this row was scored
Exposure score: 69 out of 100 (62–76 allowing for uncertainty): high exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Noting pay rates and hours on a job voucher is simple record keeping, though vouchers are still signed on set.
The five ratings: output a model can produce 4/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Applying elements of music theory to create musical and tonal structures
shifting to AI
It is the same call made over and over on elements of music theory, with a right answer to check it against. That is what a model is trained on.
importance 85 · 3413/08
Source: “Apply elements of music theory to create musical and tonal structures, including harmonies and melodies.” (UK task statement)
How this row was scored
Exposure score: 65 out of 100 (58–72 allowing for uncertainty): high exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Music theory is exceptionally well documented and tools produce usable harmonies, though the result usually needs shaping.
The five ratings: output a model can produce 2/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 4/4.
Developing themes and plots for creative material
shifting to AI
It is the same call made over and over on themes, with a right answer to check it against. That is what a model is trained on.
importance 65 · 3413/09
Source: “Develop themes and plots for creative material.” (UK task statement)
How this row was scored
Exposure score: 65 out of 100 (58–72 allowing for uncertainty): high exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Plot and theme ideas come easily from software, though turning them into something original and worth reading needs real rewriting.
The five ratings: output a model can produce 2/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 4/4.
Arranging guest visits for business or promotional events
shifting to AI
This is reading one thing and writing another: guest visits in, a record out. That is the shape today's tools are built for.
importance 80 · 3413/02
Source: “Arrange guest visits for business or promotional events.” (UK task statement)
How this row was scored
Exposure score: 64 out of 100 (60–68 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Arranging guest visits is scheduling and correspondence, which AI assistants handle well.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Planning and scheduling rehearsals to ensure seamless live broadcasts
shifting to AI
This is reading one thing and writing another: rehearsals in, a record out. That is the shape today's tools are built for.
importance 80 · 3413/02
Source: “Plan and schedule rehearsals to ensure seamless live broadcasts.” (UK task statement)
How this row was scored
Exposure score: 64 out of 100 (60–68 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Scheduling rehearsals around people's availability is a planning job software handles well.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Booking studio time and equipment for recording sessions
shifting to AI
This is reading one thing and writing another: studio time in, a record out. That is the shape today's tools are built for.
importance 75 · 3413/02
Source: “Book studio time and equipment for recording sessions.” (UK task statement)
How this row was scored
Exposure score: 64 out of 100 (57–71 allowing for uncertainty): high exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Booking studio time and kit is diary and availability admin that software handles quickly.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Liaising with publicity departments about programme trailers and competition prizes
shifting to AI
This is reading one thing and writing another: publicity departments in, a record out. That is the shape today's tools are built for.
importance 75 · 3413/02
Source: “Liaise with publicity departments about programme trailers and competition prizes.” (UK task statement)
How this row was scored
Exposure score: 64 out of 100 (60–68 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Liaising about trailers and prizes is email and coordination that AI tools draft and track.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Conducting market research and communicating results to clients or management
shifting to AI
This is reading one thing and writing another: market research in, a record out. That is the shape today's tools are built for.
importance 75 · 3413/09
Source: “Conduct market research and communicate results to clients or management.” (UK task statement)
How this row was scored
Exposure score: 64 out of 100 (57–71 allowing for uncertainty): high exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Gathering research and writing it up for clients is analysis and reporting that tools handle well.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Identifying trends or key group interests with other managers
shifting to AI
This is reading one thing and writing another: trends in, a record out. That is the shape today's tools are built for.
importance 75 · 3413/09
Source: “Identify trends or key group interests with other managers.” (UK task statement)
How this row was scored
Exposure score: 64 out of 100 (57–71 allowing for uncertainty): high exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Trend spotting from published sources and data is analysis these tools do quickly.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Developing public relations strategies that influence public opinion or promote ideas
shifting to AI
This is reading one thing and writing another: public relations strategies in, a record out. That is the shape today's tools are built for.
importance 70 · 3413/09
Source: “Develop public relations strategies that influence public opinion or promote ideas, products, or services by studying the objectives, promotional policies, or needs of organisations.” (UK task statement)
How this row was scored
Exposure score: 64 out of 100 (57–71 allowing for uncertainty): high exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Strategy documents are writing and analysis, and tools draft them well from a clear objective and background.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Planning development of programmes for positive public perceptions
shifting to AI
This is reading one thing and writing another: development of programmes in, a record out. That is the shape today's tools are built for.
importance 70 · 3413/09
Source: “Plan development of programmes for positive public perceptions.” (UK task statement)
How this row was scored
Exposure score: 64 out of 100 (57–71 allowing for uncertainty): high exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Programme planning for reputation work is documented writing that tools produce to a usable standard.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Booking advertising space on behalf of clients
shifting to AI
This is reading one thing and writing another: space in, a record out. That is the shape today's tools are built for.
importance 60 · 3413/09
Source: “Book advertising space on behalf of clients.” (UK task statement)
How this row was scored
Exposure score: 64 out of 100 (57–71 allowing for uncertainty): high exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Ad space buying is comparing options and placing orders, which software handles well.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Developing story lines for broadcasts
changing shape
The software now makes the first pass at story lines, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 85 · 3413/02
Source: “Develop story lines for broadcasts.” (UK task statement)
How this row was scored
Exposure score: 58 out of 100 (51–65 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: AI can offer plenty of story ideas, but choosing what will actually work for the audience stays with the team.
The five ratings: output a model can produce 2/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Arranging music
changing shape
The software now makes the first pass at music, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 80 · 3413/08
Source: “Arrange music composed by others, changing the music to achieve desired effects.” (UK task statement)
How this row was scored
Exposure score: 58 out of 100 (51–65 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Arranging software helps a lot, but reworking someone's music for a particular effect relies on the arranger's judgement.
The five ratings: output a model can produce 2/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Creating scripts or screenplays according to project requirements
changing shape
The software now makes the first pass at scripts, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 65 · 3413/09
Source: “Create scripts or screenplays according to project requirements.” (UK task statement)
How this row was scored
Exposure score: 58 out of 100 (51–65 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: AI drafts scripts quickly, but shaping one that meets a specific brief still takes real editing.
The five ratings: output a model can produce 2/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Performing voice-overs for adverts
changing shape
The software now makes the first pass at voice-overs, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 75 · 3413/01
Source: “Perform voice-overs for adverts.” (UK task statement)
How this row was scored
Exposure score: 56 out of 100 (49–63 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Synthetic voices are now good enough for many advert reads, though a distinctive human delivery still wins bigger jobs.
The five ratings: output a model can produce 3/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Recording audiobooks
changing shape
The software now makes the first pass at audiobooks, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 50 · 3413/01
Source: “Record audiobooks.” (UK task statement)
How this row was scored
Exposure score: 56 out of 100 (49–63 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Publishers already release AI-narrated audiobooks, though many listeners and authors still prefer a human reader.
The five ratings: output a model can produce 3/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Obtaining permissions for filming people or locations
changing shape
The software now makes the first pass at permissions, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 70 · 3413/09
Source: “Obtain permissions for filming people or locations.” (UK task statement)
How this row was scored
Exposure score: 56 out of 100 (49–63 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Chasing filming permissions is standard correspondence and paperwork, though the person or venue must still agree.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 1/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Responding to media enquiries
changing shape
The software now makes the first pass at media enquiries, but the part that matters is a person saying it and standing behind it. So the job becomes checking and deciding rather than producing.
importance 70 · 3413/09
Source: “Respond to media enquiries.” (UK task statement)
How this row was scored
Exposure score: 53 out of 100 (46–60 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; the value is that a specific person does it.
The rating behind it: Holding replies can be drafted instantly, but journalists often want a named person to talk to.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 3/4.
Writing lyrics to complement operatic music
changing shape
The software now makes the first pass at lyrics, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 85 · 3413/08
Source: “Write lyrics to complement operatic music.” (UK task statement)
How this row was scored
Exposure score: 50 out of 100 (43–57 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: mistakes that are cheap to catch.
The rating behind it: AI can draft lyrics, but words that sit properly under operatic music take a specialist ear.
The five ratings: output a model can produce 2/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Planning and coordinating advertising campaigns and sales promotions
changing shape
The software now makes the first pass at campaigns, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 75 · 3413/09
Source: “Plan and coordinate advertising campaigns and sales promotions.” (UK task statement)
How this row was scored
Exposure score: 49 out of 100 (42–56 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Plans draft easily, but coordinating a live campaign means working with several teams.
The five ratings: output a model can produce 2/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Designating an appropriate spokesperson or information source
changing shape
The software now makes the first pass at an appropriate spokesperson, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 60 · 3413/09
Source: “Designate an appropriate spokesperson or information source.” (UK task statement)
How this row was scored
Exposure score: 43 out of 100 (36–50 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: mistakes that are cheap to catch.
The rating behind it: Picking the right spokesperson depends on internal politics and personal judgement about who will land well.
The five ratings: output a model can produce 2/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Consulting with clients to determine their desired event type and requirements
changing shape
The software now makes the first pass at clients, but the part that matters is a person saying it and standing behind it. So the job becomes checking and deciding rather than producing.
importance 80 · 3413/05
Source: “Consult with clients to determine their desired event type and requirements.” (UK task statement)
How this row was scored
Exposure score: 40 out of 100 (33–47 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; the value is that a specific person does it.
The rating behind it: A questionnaire can be automated, but drawing out what a client actually wants is a conversation.
The five ratings: output a model can produce 2/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 3/4.
Coordinating the production of adverts or promotions with production teams
changing shape
The software now makes the first pass at the production of adverts, but the part that matters is a person saying it and standing behind it. So the job becomes checking and deciding rather than producing.
importance 70 · 3413/09
Source: “Coordinate the production of adverts or promotions with production teams.” (UK task statement)
How this row was scored
Exposure score: 40 out of 100 (33–47 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; the value is that a specific person does it.
The rating behind it: Briefs and schedules can be drafted, though production is a hands-on collaboration.
The five ratings: output a model can produce 2/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 3/4.
Planning the next broadcast with the production crew
staying human
The ratings behind this row put the next broadcast well outside what today's tools can do on their own.
importance 85 · 3413/02
Source: “Plan the next broadcast with the production crew.” (UK task statement)
How this row was scored
Exposure score: 37 out of 100 (30–44 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Plans can be drafted in advance, but the decisions get made in a meeting with the production crew.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Reviewing the show's running order with the production team to ensure smooth execution
staying human
The ratings behind this row put the show's running order well outside what today's tools can do on their own.
importance 85 · 3413/02
Source: “Review the show's running order with the production team to ensure smooth execution.” (UK task statement)
How this row was scored
Exposure score: 37 out of 100 (30–44 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: The running order itself is easy to produce; agreeing it with the team is a live conversation.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Receiving briefings from researchers
staying human
The ratings behind this row put briefings well outside what today's tools can do on their own.
importance 75 · 3413/02
Source: “Receive briefings from researchers.” (UK task statement)
How this row was scored
Exposure score: 37 out of 100 (30–44 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Research notes can be summarised automatically, but the briefing is usually a conversation before the show.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Ensuring radio production schedules
staying human
The ratings behind this row put radio production schedules well outside what today's tools can do on their own.
importance 70 · 3413/05
Source: “Ensure radio production schedules are adhered to.” (UK task statement)
How this row was scored
Exposure score: 37 out of 100 (30–44 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Schedule tracking is automated, but keeping a live radio production to time depends on people in the studio.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Liaising with an agent
staying human
The value here is that a specific person handles an agent and stands behind it. That is earned, not computed.
importance 75 · 3413/01
Source: “Liaise with an agent.” (UK task statement)
How this row was scored
Exposure score: 35 out of 100 (28–42 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the value is that a specific person does it.
The rating behind it: Some messages can be drafted automatically, but keeping an agent relationship going relies on the performer's own judgement and contacts.
The five ratings: output a model can produce 2/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 2/4.
Arranging promotional or performance engagements for clients
staying human
The value here is that a specific person handles promotional and stands behind it. That is earned, not computed.
importance 70 · 3413/09
Source: “Arrange promotional or performance engagements for clients.” (UK task statement)
How this row was scored
Exposure score: 35 out of 100 (28–42 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the value is that a specific person does it.
The rating behind it: Booking engagements is arranging, but the deals depend on relationships with promoters and venues.
The five ratings: output a model can produce 2/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 2/4.
Providing advice on business decisions with other managers
staying human
The value here is that a specific person handles advice and stands behind it. That is earned, not computed.
importance 65 · 3413/09
Source: “Provide advice on business decisions with other managers.” (UK task statement)
How this row was scored
Exposure score: 35 out of 100 (28–42 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the value is that a specific person does it.
The rating behind it: Advising fellow managers on decisions relies on persuasion and shared context in live discussion.
The five ratings: output a model can produce 2/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 2/4.
Writing original material for various performances
staying human
The ratings behind this row put original material well outside what today's tools can do on their own.
importance 90 · 3413/04
Source: “Write original material for various performances.” (UK task statement)
How this row was scored
Exposure score: 33 out of 100 (26–40 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the five ratings behind the score, with no single dominant reason.
The rating behind it: AI can suggest jokes, but original material in a performer's own voice still comes from the performer.
The five ratings: output a model can produce 1/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Facilitating connections between different programmes to enhance integration
staying human
The ratings behind this row put connections well outside what today's tools can do on their own.
importance 70 · 3413/02
Source: “Facilitate connections between different programmes to enhance integration.” (UK task statement)
How this row was scored
Exposure score: 32 out of 100 (25–39 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: mistakes that are cheap to catch.
The rating behind it: Joining programmes up smoothly takes editorial judgement and conversations with the teams involved.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Assessing or reviewing a broadcast with the production crew
staying human
The value here is that a specific person handles a broadcast and stands behind it. That is earned, not computed.
importance 85 · 3413/02
Source: “Assess or review a broadcast with the production crew.” (UK task statement)
How this row was scored
Exposure score: 30 out of 100 (23–37 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; the value is that a specific person does it.
The rating behind it: Notes can be prepared automatically, but reviewing a broadcast with the crew is a discussion between them.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 3/4.
Developing ideas for performances
staying human
This work happens in the physical world: ideas, in a real place. Software cannot follow it there.
importance 90 · 3413/03, 3413/06
Source: “Develop ideas for performances.” (UK task statement)
How this row was scored
Exposure score: 25 out of 100 (18–32 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Ideas can be suggested, but choreography is usually worked out in the studio on real dancers.
The five ratings: output a model can produce 2/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Selecting accessories for outfits
staying human
This work happens in the physical world: accessories, in a real place. Software cannot follow it there.
importance 75 · 3413/07
Source: “Select accessories for outfits.” (UK task statement)
How this row was scored
Exposure score: 25 out of 100 (18–32 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Suggestions can be generated, but choosing accessories usually means seeing and handling them with the outfit.
The five ratings: output a model can produce 2/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Delivering news, sports or weather reports, ensuring they convey required information and fitting specific time slots
staying human
This work happens in the physical world: news, sports or weather reports, in a real place. Software cannot follow it there.
importance 95 · 3413/02
Source: “Deliver news, sports, or weather reports, ensuring they convey required information and fit specific time slots.” (UK task statement)
How this row was scored
Exposure score: 18 out of 100 (11–25 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: The words and timings can be generated automatically, but the report is still delivered on air by a presenter.
The five ratings: output a model can produce 3/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 4/4.
Reading from a script or autocue
staying human
This work happens in the physical world: a script, in a real place. Software cannot follow it there.
importance 85 · 3413/02
Source: “Read from a script or autocue.” (UK task statement)
How this row was scored
Exposure score: 18 out of 100 (11–25 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: The words can be produced automatically, but reading them out is still done live by the presenter.
The five ratings: output a model can produce 3/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 4/4.
Reading short news, traffic, sport or weather reports
staying human
This work happens in the physical world: short news, traffic, sport or weather reports, in a real place. Software cannot follow it there.
importance 85 · 3413/02
Source: “Read short news, traffic, sport or weather reports.” (UK task statement)
How this row was scored
Exposure score: 18 out of 100 (11–25 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Traffic and weather copy already comes from data feeds; the presenter's part is reading it out on air.
The five ratings: output a model can produce 3/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 4/4.
Introducing programmes to the audience
staying human
This work happens in the physical world: programmes, in a real place. Software cannot follow it there.
importance 95 · 3413/02
Source: “Introduce programmes to the audience.” (UK task statement)
How this row was scored
Exposure score: 16 out of 100 (9–23 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Introduction scripts write themselves easily; saying them on air is what still needs the presenter.
The five ratings: output a model can produce 3/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Reading news flashes to inform audiences of important events
staying human
This work happens in the physical world: news flashes, in a real place. Software cannot follow it there.
importance 90 · 3413/02
Source: “Read news flashes to inform audiences of important events.” (UK task statement)
How this row was scored
Exposure score: 16 out of 100 (6–26 allowing for uncertainty): minimal exposure, medium confidence, and it moved between repeat runs, so the range is widened.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: News copy is easy to generate, but reading a flash on air is done by the presenter in the studio.
The five ratings: output a model can produce 3/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Announcing amusement park attractions to patrons
staying human
This work happens in the physical world: amusement park attractions, in a real place. Software cannot follow it there.
importance 60 · 3413/03
Source: “Announce amusement park attractions to patrons.” (UK task statement)
How this row was scored
Exposure score: 16 out of 100 (9–23 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: The announcement is easy to write or record, but attendants make it on the spot at the ride.
The five ratings: output a model can produce 3/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Advertising for magazines, billboards, websites and social media
staying human
This work happens in the physical world: magazines, billboards, websites and social media, in a real place. Software cannot follow it there.
importance 90 · 3413/07
Source: “Advertising for magazines, billboards, websites, and social media.” (UK task statement)
How this row was scored
Exposure score: 16 out of 100 (9–23 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Advertising images can now be generated without a shoot, though most campaigns still photograph a real model.
The five ratings: output a model can produce 3/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Creating photographic editorials for magazines
staying human
This work happens in the physical world: photographic editorials, in a real place. Software cannot follow it there.
importance 85 · 3413/07
Source: “Create photographic editorials for magazines.” (UK task statement)
How this row was scored
Exposure score: 16 out of 100 (9–23 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Editorial images can be generated by software now, but magazine shoots are still normally photographed with a model present.
The five ratings: output a model can produce 3/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Operating lighting and visual effects in sync with music beats during performances
staying human
This work happens in the physical world: visual effects, in a real place. Software cannot follow it there.
importance 80 · 3413/05
Source: “Operate lighting and visual effects in sync with music beats during performances.” (UK task statement)
How this row was scored
Exposure score: 14 out of 100 (7–21 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Lighting can be pre-programmed, but running it live to the music happens at the desk during the show.
The five ratings: output a model can produce 2/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Communicating effectively verbally with clients
staying human
The value here is that a specific person handles this work and stands behind it. That is earned, not computed.
importance 80 · 3413/09
Source: “Communicate effectively verbally with clients, colleagues, and the public.” (UK task statement)
How this row was scored
Exposure score: 13 out of 100 (9–17 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: the value is that a specific person does it.
The rating behind it: Speaking well with clients and the public is a live human exchange, not a document.
The five ratings: output a model can produce 1/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 2/4.
Establishing cooperative relationships with community and consumer groups
staying human
The value here is that a specific person handles cooperative relationships and stands behind it. That is earned, not computed.
importance 60 · 3413/09
Source: “Establish cooperative relationships with community and consumer groups.” (UK task statement)
How this row was scored
Exposure score: 13 out of 100 (9–17 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: the value is that a specific person does it.
The rating behind it: Cooperative relationships with community and consumer groups are built person to person over time.
The five ratings: output a model can produce 1/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 2/4.
Writing and memorising scripts for broadcasting and presenting
staying human
This work happens in the physical world: scripts, in a real place. Software cannot follow it there.
importance 85 · 3413/02
Source: “Write and memorise scripts for broadcasting and presenting.” (UK task statement)
How this row was scored
Exposure score: 12 out of 100 (5–19 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Drafting a script is easy for AI, but memorising and delivering it is the presenter's own work.
The five ratings: output a model can produce 2/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Mixing recorded music using DJ controllers
staying human
This work happens in the physical world: recorded music, in a real place. Software cannot follow it there.
importance 95 · 3413/05
Source: “Mix recorded music using DJ controllers, CDJs, or DJ mixers.” (UK task statement)
How this row was scored
Exposure score: 12 out of 100 (5–19 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Automatic mixing exists, but a DJ set is played on the equipment in the room.
The five ratings: output a model can produce 2/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Producing short films using a video camera or mobile phone
staying human
This work happens in the physical world: short films, in a real place. Software cannot follow it there.
importance 80 · 3413/09
Source: “Produce short films using a video camera or mobile phone.” (UK task statement)
How this row was scored
Exposure score: 12 out of 100 (5–19 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: AI video tools are improving fast, but filming your own short pieces means holding the camera and appearing in them.
The five ratings: output a model can produce 2/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Collaborating with costume, lighting and sound departments to ensure technical quality
staying human
This work happens in the physical world: costume, lighting and sound departments, in a real place. Software cannot follow it there.
importance 80 · 3413/01, 3413/04
Source: “Collaborate with costume, lighting, and sound departments to ensure technical quality.” (UK task statement)
How this row was scored
Exposure score: 11 out of 100 (4–18 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Getting costume, lighting and sound working together happens between the departments as the show is built.
The five ratings: output a model can produce 1/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 2/4.
Liaising with other members of the production and technical teams
staying human
This work happens in the physical world: other members of the production, in a real place. Software cannot follow it there.
importance 85 · 3413/02
Source: “Liaise with other members of the production and technical teams.” (UK task statement)
How this row was scored
Exposure score: 11 out of 100 (4–18 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Keeping production and technical teams in step happens in person during the working day.
The five ratings: output a model can produce 1/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 2/4.
Selecting music that incorporates crowd preferences and mood
staying human
This work happens in the physical world: music, in a real place. Software cannot follow it there.
importance 90 · 3413/05
Source: “Select music that incorporates crowd preferences and mood.” (UK task statement)
How this row was scored
Exposure score: 11 out of 100 (4–18 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Picking tracks that match the mood depends on watching the actual crowd in front of you.
The five ratings: output a model can produce 2/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Participating in media interviews to promote personal or group music
staying human
This work happens in the physical world: media interviews, in a real place. Software cannot follow it there.
importance 70 · 3413/08
Source: “Participate in media interviews to promote personal or group music.” (UK task statement)
How this row was scored
Exposure score: 11 out of 100 (4–18 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Answers can be prepared, but an interview is a live conversation with a journalist about the artist's own work.
The five ratings: output a model can produce 1/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 2/4.
Conducting interviews for broadcasts
staying human
This work happens in the physical world: interviews, in a real place. Software cannot follow it there.
importance 90 · 3413/02
Source: “Conduct interviews for broadcasts.” (UK task statement)
How this row was scored
Exposure score: 9 out of 100 (2–16 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Questions can be drafted in advance, but a real interview depends on listening and reacting to the person answering.
The five ratings: output a model can produce 1/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 2/4.
Studying scripts to interpret roles and learn lines
staying human
This work happens in the physical world: scripts, in a real place. Software cannot follow it there.
importance 90 · 3413/01, 3413/04
Source: “Study scripts to interpret roles and learn lines.” (UK task statement)
How this row was scored
Exposure score: 8 out of 100 (1–15 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Software can suggest how to read a character, but the actor still has to absorb the script and learn the lines.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Preparing for auditions by rehearsing and selecting appropriate material
staying human
This work happens in the physical world: auditions, in a real place. Software cannot follow it there.
importance 85 · 3413/01
Source: “Prepare for auditions by rehearsing and selecting appropriate material.” (UK task statement)
How this row was scored
Exposure score: 8 out of 100 (1–15 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Software can help pick suitable pieces, but rehearsing them until they are audition-ready is something only the performer does.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Assisting in recording transmissions
staying human
This work happens in the physical world: recording transmissions, in a real place. Software cannot follow it there.
importance 80 · 3413/02
Source: “Assist in recording transmissions.” (UK task statement)
How this row was scored
Exposure score: 8 out of 100 (1–15 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Helping record a transmission means being in the studio working the kit with the crew.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Ensure the programme runs according to schedule
staying human
This work happens in the physical world: the programme runs, in a real place. Software cannot follow it there.
importance 90 · 3413/02
Source: “Ensure the programme runs according to schedule.” (UK task statement)
How this row was scored
Exposure score: 7 out of 100 (3–11 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Keeping a live programme to schedule means being present and reacting as things run over.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Producing original sounds for live events
staying human
This work happens in the physical world: original sounds, in a real place. Software cannot follow it there.
importance 85 · 3413/05
Source: “Produce original sounds for live events.” (UK task statement)
How this row was scored
Exposure score: 7 out of 100 (0–14 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Making original sounds for a live event happens on the equipment during the event itself.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Making or participating in musical recordings
staying human
This work happens in the physical world: musical recordings, in a real place. Software cannot follow it there.
importance 90 · 3413/08
Source: “Make or participate in musical recordings.” (UK task statement)
How this row was scored
Exposure score: 7 out of 100 (0–14 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Playing on a recording means being in the studio with the instrument.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Modifying music to individualise presentations and maintaining audience interest
staying human
This work happens in the physical world: music, in a real place. Software cannot follow it there.
importance 80 · 3413/08
Source: “Modify music to individualise presentations and maintain audience interest.” (UK task statement)
How this row was scored
Exposure score: 7 out of 100 (0–14 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Changing a piece to suit the room happens live while playing to that audience.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Overseeing freelance staff during events or projects
staying human
This work happens in the physical world: freelance staff during events, in a real place. Software cannot follow it there.
importance 70 · 3413/02
Source: “Oversee freelance staff during events or projects.” (UK task statement)
How this row was scored
Exposure score: 6 out of 100 (2–10 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Freelancers need someone on site telling them what to do and checking it got done.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 2/4.
Accepting music requests from event guests
staying human
This work happens in the physical world: music requests, in a real place. Software cannot follow it there.
importance 90 · 3413/05
Source: “Accept music requests from event guests.” (UK task statement)
How this row was scored
Exposure score: 6 out of 100 (0–13 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Requests come from guests in the room, and the DJ decides on the spot whether they fit.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 2/4.
Collaborating with photographers, stylists and making-up artists to produce the desired looks for photo shoots
staying human
This work happens in the physical world: photographers, stylists and making-up artists, in a real place. Software cannot follow it there.
importance 90 · 3413/07
Source: “Collaborate with photographers, stylists, and make-up artists to produce the desired looks for photo shoots.” (UK task statement)
How this row was scored
Exposure score: 6 out of 100 (0–13 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Building a look happens on set with the photographer, stylist and makeup artist working on a real person.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 2/4.
Interpreting and responding to instructions and requests from producers
staying human
This work happens in the physical world: instructions, in a real place. Software cannot follow it there.
importance 90 · 3413/02
Source: “Interpret and respond to instructions and requests from producers, directors and other colleagues.” (UK task statement)
How this row was scored
Exposure score: 4 out of 100 (0–11 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Taking direction through an earpiece and acting on it instantly happens in the studio, in the moment.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 1/4.
Improvising content during live broadcasts or recordings
staying human
This work happens in the physical world: content during live broadcasts, in a real place. Software cannot follow it there.
importance 85 · 3413/02
Source: “Improvise content during live broadcasts or recordings.” (UK task statement)
How this row was scored
Exposure score: 4 out of 100 (0–11 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Improvising live means responding in the moment on air, which is the presenter's own quick thinking.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 1/4.
Creating and leading recreational activities and outings to entertain children
staying human
This work happens in the physical world: recreational activities, in a real place. Software cannot follow it there.
importance 85 · 3413/03
Source: “Create and lead recreational activities and outings to entertain children.” (UK task statement)
How this row was scored
Exposure score: 4 out of 100 (0–11 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Activity ideas are easy to generate, but leading children through them needs an adult there with them.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 2/4.
Discussing interpretation and delivery with other members of the company and the director
staying human
This work happens in the physical world: interpretation, in a real place. Software cannot follow it there.
importance 85 · 3413/01
Source: “Discuss interpretation and delivery with other members of the company and the director.” (UK task statement)
How this row was scored
Exposure score: 3 out of 100 (0–10 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Ideas can be suggested, but working out delivery happens face to face in the rehearsal room with the director and cast.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 1/4.
Working closely with directors, other actors and playwrights to find the interpretation most suited to the role
staying human
This work happens in the physical world: directors, other actors and playwrights, in a real place. Software cannot follow it there.
importance 85 · 3413/01, 3413/04
Source: “Work closely with directors, other actors, and playwrights to find the interpretation most suited to the role.” (UK task statement)
How this row was scored
Exposure score: 3 out of 100 (0–10 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Finding the right reading of a role is worked out live with directors and writers in the room.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 1/4.
Learning acting skills required for dramatic singing roles
staying human
This work happens in the physical world: skills, in a real place. Software cannot follow it there.
importance 70 · 3413/08
Source: “Learn acting skills required for dramatic singing roles.” (UK task statement)
How this row was scored
Exposure score: 3 out of 100 (0–10 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Acting skill is built through practice and coaching in a person's own body and voice.
The five ratings: output a model can produce 0/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 2/4.
Learning lines for performance roles
staying human
This work happens in the physical world: lines, in a real place. Software cannot follow it there.
importance 90 · 3413/01
Source: “Learn lines for performance roles.” (UK task statement)
How this row was scored
Exposure score: 2 out of 100 (0–9 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Only the performer can commit lines to memory; software can test you but cannot do the learning for you.
The five ratings: output a model can produce 0/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 1/4.
Memorising musical selections and routines for performances
staying human
This work happens in the physical world: musical selections, in a real place. Software cannot follow it there.
importance 85 · 3413/08
Source: “Memorise musical selections and routines for performances.” (UK task statement)
How this row was scored
Exposure score: 2 out of 100 (0–9 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Committing music and routines to memory is something only the performer can do for themselves.
The five ratings: output a model can produce 0/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 1/4.
Attending rehearsals to prepare for productions
staying human
This work happens in the physical world: rehearsals, in a real place. Software cannot follow it there.
importance 90 · 3413/01
Source: “Attend rehearsals to prepare for productions.” (UK task statement)
How this row was scored
Exposure score: 1 out of 100 (0–5 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Attending a rehearsal means being there in the room while it happens.
The five ratings: output a model can produce 0/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 1/4.
Portraying and interpreting roles, using speech, gestures and body movements, to entertain, inform or instructing audiences
staying human
This work happens in the physical world: roles, in a real place. Software cannot follow it there.
importance 90 · 3413/01, 3413/04
Source: “Portray and interpret roles, using speech, gestures, and body movements, to entertain, inform, or instruct audiences.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Playing a role through voice, gesture and movement is done with a body, so a person has to be there.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 1/4.
Collaborating with other actors as part of an ensemble
staying human
This work happens in the physical world: other actors, in a real place. Software cannot follow it there.
importance 85 · 3413/01, 3413/04
Source: “Collaborate with other actors as part of an ensemble.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Ensemble work happens between people sharing a stage, so the other performers cannot be swapped for software.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 4/4 · how much data exists 0/4.
Performing in a studio for various media broadcasts
staying human
This work happens in the physical world: a studio, in a real place. Software cannot follow it there.
importance 85 · 3413/01
Source: “Perform in a studio for various media broadcasts.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Being in the studio and performing to camera or microphone is the task itself.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 1/4.
Performing on location
staying human
This work happens in the physical world: location, in a real place. Software cannot follow it there.
importance 85 · 3413/01
Source: “Perform on location for film, television, internet, and radio productions.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Performing on location means physically being at the shoot, which no software can stand in for.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 1/4.
Rehearsing lines, stunts and cues as directed for roles
staying human
This work happens in the physical world: lines, stunts and cues, in a real place. Software cannot follow it there.
importance 85 · 3413/01, 3413/04
Source: “Rehearse lines, stunts, and cues as directed for roles.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Rehearsing lines, stunts and cues is physical practice in a real space with other people.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 1/4.
Attending costume fittings for performance attire
staying human
This work happens in the physical world: costume fittings, in a real place. Software cannot follow it there.
importance 80 · 3413/01
Source: “Attend costume fittings for performance attire.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: A fitting only works with the actual performer wearing the actual costume.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 1/4.
Performing comic songs and skits to amuse audiences
staying human
This work happens in the physical world: comic songs, in a real place. Software cannot follow it there.
importance 80 · 3413/01, 3413/04
Source: “Perform comic songs and skits to amuse audiences.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Comic songs and skits land through live delivery, which needs the performer present.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 1/4.
Undertaking activities to 'get into character'
staying human
This work happens in the physical world: activities, in a real place. Software cannot follow it there.
importance 80 · 3413/01
Source: “Undertake activities to 'get into character'.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–7 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Getting into character is something the performer does in their own body and mind before going on.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 0/4.
Dancing during dramatic or comedic performances
staying human
This work happens in the physical world: dramatic, in a real place. Software cannot follow it there.
importance 75 · 3413/01, 3413/04
Source: “Dance during dramatic or comedic performances.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Dancing in a performance is done with the body in front of an audience.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 1/4.
Sing during dramatic or comedic performances
staying human
This work happens in the physical world: dramatic, in a real place. Software cannot follow it there.
importance 75 · 3413/01, 3413/04
Source: “Sing during dramatic or comedic performances.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Singing in a performance is done live with the performer's own voice and presence.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 1/4.
Acting as an extra in productions
staying human
This work happens in the physical world: an extra, in a real place. Software cannot follow it there.
importance 70 · 3413/01
Source: “Act as an extra in productions.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Appearing as an extra means being physically on set and in shot.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 0/4.
Contorting face to amuse audiences
staying human
This work happens in the physical world: face, in a real place. Software cannot follow it there.
importance 70 · 3413/01, 3413/04
Source: “Contort face to amuse audiences.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Pulling faces to make people laugh needs the performer's own face in front of the audience.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 0/4.
Using props and devices to entertain audiences during performances
staying human
This work happens in the physical world: props, in a real place. Software cannot follow it there.
importance 70 · 3413/01, 3413/04
Source: “Use props and devices to entertain audiences during performances.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Handling props in front of an audience is hands-on performance.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 1/4.
Dressing in comical clown costumes and makeup
staying human
This work happens in the physical world: comical clown costumes, in a real place. Software cannot follow it there.
importance 60 · 3413/01, 3413/04
Source: “Dress in comical clown costumes and makeup.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Wearing costume and makeup to perform as a clown needs a person inside the costume.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 0/4.
Preparing and performing action stunts
staying human
This work happens in the physical world: action stunts, in a real place. Software cannot follow it there.
importance 60 · 3413/01
Source: “Prepare and perform action stunts for film, television, or stage productions.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Stunts are performed with the body on set, with real physical skill and risk.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 1/4.
Activelying participate in presenting within the studio while the show airs
staying human
This work happens in the physical world: participate, in a real place. Software cannot follow it there.
importance 90 · 3413/02
Source: “Actively participate in presenting within the studio while the show airs.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Being in the studio while the show goes out is presence, not paperwork.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 1/4.
Presenting a show using an autocue for smooth delivery
staying human
This work happens in the physical world: a show, in a real place. Software cannot follow it there.
importance 90 · 3413/02
Source: “Present a show using an autocue for smooth delivery.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Presenting a show on camera is the presenter being there, whatever the autocue says.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 2/4.
Operating technical equipment for recording and playback
staying human
This work happens in the physical world: technical equipment, in a real place. Software cannot follow it there.
importance 85 · 3413/02, 3413/05
Source: “Operate technical equipment for recording and playback.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Operating recording and playback equipment is hands-on work at the machine.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Producing live broadcast programmes to engage audiences
staying human
This work happens in the physical world: live broadcast programmes, in a real place. Software cannot follow it there.
importance 85 · 3413/02
Source: “Produce live broadcast programmes to engage audiences.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Making a live programme happen means being there while it goes out.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 1/4.
Maintaining contact with the director and production team in the studio gallery via earpiece link
staying human
This work happens in the physical world: contact, in a real place. Software cannot follow it there.
importance 80 · 3413/02
Source: “Maintain contact with the director and production team in the studio gallery via earpiece link.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Staying in contact with the gallery during a broadcast means being on air in the studio.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 1/4.
Operating the control desk during radio broadcasts
staying human
This work happens in the physical world: the control desk during radio broadcasts, in a real place. Software cannot follow it there.
importance 80 · 3413/02
Source: “Operate the control desk during radio broadcasts.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Operating a control desk means hands on faders and buttons in the studio.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Hosting civic, charitable or promotional events broadcast over television or radio
staying human
This work happens in the physical world: civic, charitable or promotional events broadcast over television, in a real place. Software cannot follow it there.
importance 75 · 3413/02
Source: “Host civic, charitable, or promotional events broadcast over television or radio.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Hosting an event means being on the stage or in the studio with the audience.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 1/4.
Operating the sound desk during shows
staying human
This work happens in the physical world: the sound desk during shows, in a real place. Software cannot follow it there.
importance 75 · 3413/02
Source: “Operate the sound desk during shows.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Running the sound desk during a show means an operator there throughout.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Rehearsing performance pieces individually or with a group to refine skills
staying human
This work happens in the physical world: performance pieces, in a real place. Software cannot follow it there.
importance 70 · 3413/02, 3413/08
Source: “Rehearse performance pieces individually or with a group to refine skills.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Rehearsing a piece means playing or performing it, which only the musician can do.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 1/4.
Reacting quickly and appropriately to environmental changes and emergencies
staying human
This work happens in the physical world: this work, in a real place. Software cannot follow it there.
importance 60 · 3413/02
Source: “React quickly and appropriately to environmental changes and emergencies.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; someone qualified has to answer for it.
The rating behind it: Reacting to an emergency in the air means a qualified pilot at the controls.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 3/4 · needs to be trusted in the moment 1/4 · how much data exists 1/4.
Rehearsing newly created material to refine its presentation
staying human
This work happens in the physical world: created material, in a real place. Software cannot follow it there.
importance 80 · 3413/03, 3413/06
Source: “Rehearse newly created material to refine its presentation.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Rehearsing a trick until it works is hands-on practice by the performer.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 1/4.
Guiding visitors to rides, seats or attractions
staying human
This work happens in the physical world: visitors, in a real place. Software cannot follow it there.
importance 60 · 3413/03
Source: “Guide visitors to rides, seats, or attractions.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Showing visitors where to go means being there with them in the park.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 2/4.
Running games at funfair stalls
staying human
This work happens in the physical world: games, in a real place. Software cannot follow it there.
importance 60 · 3413/03
Source: “Run games at funfair stalls.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Running a stall game involves handling equipment and players face to face.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 1/4.
Maintaining the equipment in a reliable and safe condition
staying human
This work happens in the physical world: the equipment, in a real place. Software cannot follow it there.
importance 50 · 3413/03, 3413/06
Source: “Maintain the equipment in a reliable and safe condition.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Keeping equipment safe and working means physically checking and fixing it.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Teaching age-appropriate activities, such as lap play, reading and arts and crafts, to children
staying human
This work happens in the physical world: age-appropriate activities, in a real place. Software cannot follow it there.
importance 50 · 3413/03
Source: “Teach age-appropriate activities, such as lap play, reading, and arts and crafts, to children.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Lap play, shared reading and crafts happen with an adult sitting alongside the child.
The five ratings: output a model can produce 1/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 2/4.
Introducing performances and performers to stimulate excitement and coordinating smooth transition of acts during events
staying human
This work happens in the physical world: performances, in a real place. Software cannot follow it there.
importance 70 · 3413/04
Source: “Introduce performances and performers to stimulate excitement and coordinate smooth transition of acts during events.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Warming up a crowd and linking acts happens live on stage with the audience.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 1/4.
Playing and mixing records in clubs or pubs
staying human
This work happens in the physical world: records, in a real place. Software cannot follow it there.
importance 95 · 3413/05
Source: “Play and mix records in clubs or pubs, to create atmosphere or keep people dancing.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Playing a club or pub means being behind the decks reading the room.
The five ratings: output a model can produce 1/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 2/4.
Checking that equipment, e.g. microphones and earpieces, are working before the show
staying human
This work happens in the physical world: equipment, e.g. microphones and earpieces, in a real place. Software cannot follow it there.
importance 85 · 3413/05
Source: “Check that equipment, e.g. microphones and earpieces, are working before the show.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Testing microphones and earpieces means physically handling the kit before the show.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Encouraging guests to dance using group dances
staying human
This work happens in the physical world: guests, in a real place. Software cannot follow it there.
importance 85 · 3413/05
Source: “Encourage guests to dance using group dances.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Getting guests up dancing takes a person on the floor encouraging them.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 1/4.
Collaborating with an MC to perform music with rap or singing
staying human
This work happens in the physical world: an MC, in a real place. Software cannot follow it there.
importance 75 · 3413/05
Source: “Collaborate with an MC to perform music with rap or singing.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Performing together with an MC means both are on stage at the same time.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 1/4.
Leading party games, such as dance-offs or prize giveaways
staying human
This work happens in the physical world: party games, in a real place. Software cannot follow it there.
importance 75 · 3413/05
Source: “Lead party games, such as dance-offs or prize giveaways.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–7 allowing for uncertainty): minimal exposure, high confidence, and it moved between repeat runs, so the range is widened.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Leading party games needs someone in the room getting people involved.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 1/4.
Assembling audio and video equipment
staying human
This work happens in the physical world: audio, in a real place. Software cannot follow it there.
importance 70 · 3413/05
Source: “Assemble audio and video equipment.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Assembling audio and video equipment is hands-on work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Operating sound, video and visual effects equipment
staying human
This work happens in the physical world: sound, video and visual effects equipment, in a real place. Software cannot follow it there.
importance 70 · 3413/05
Source: “Operate sound, video and visual effects equipment.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Operating sound, video and effects equipment is hands-on work at the desk in the venue.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Posing as directed during appearances
staying human
This work happens in the physical world: directed during appearances, in a real place. Software cannot follow it there.
importance 95 · 3413/07
Source: “Pose as directed during appearances, filming, or photo sessions.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Posing is the model's own body in front of the camera.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 1/4.
Posing for artists and photographers
staying human
This work happens in the physical world: artists, in a real place. Software cannot follow it there.
importance 95 · 3413/07
Source: “Pose for artists and photographers.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Sitting or standing for an artist or photographer is physical presence by definition.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 1/4.
Making many quick changes backstage during fashion shows and yet maintain poised appearance before audiences
staying human
This work happens in the physical world: many quick changes backstage during fashion shows, in a real place. Software cannot follow it there.
importance 90 · 3413/07
Source: “Make many quick changes backstage during fashion shows and yet maintain poised appearance before audiences.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Quick backstage changes are physical work done by and on the model.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 0/4.
Walking to showcase garment features at private showings and retail establishments
staying human
This work happens in the physical world: showcase garment features, in a real place. Software cannot follow it there.
importance 90 · 3413/07
Source: “Walk to showcase garment features at private showings and retail establishments.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Walking to show how a garment moves needs the garment on a person.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 1/4.
Adhering to strict diet routines to maintain appearance
staying human
This work happens in the physical world: strict diet routines, in a real place. Software cannot follow it there.
importance 85 · 3413/07
Source: “Adhere to strict diet routines to maintain appearance.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Following a diet is something a person does with their own body.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Inhousing live modelling for designers and clothing wholesalers
staying human
This work happens in the physical world: live, in a real place. Software cannot follow it there.
importance 85 · 3413/07
Source: “In-house live modelling for designers and clothing wholesalers.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Live in-house modelling means wearing the clothes in front of buyers.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 1/4.
Striking suitable interpretive poses for promoting and selling merchandise or fashions
staying human
This work happens in the physical world: suitable interpretive poses, in a real place. Software cannot follow it there.
importance 85 · 3413/07
Source: “Strike suitable interpretive poses for promoting and selling merchandise or fashions.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Holding a pose to sell a product is done with the model's own body.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 1/4.
Sing a cappella or with musical accompaniment
staying human
This work happens in the physical world: a cappella, in a real place. Software cannot follow it there.
importance 95 · 3413/08
Source: “Sing a cappella or with musical accompaniment.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–7 allowing for uncertainty): minimal exposure, high confidence, and it moved between repeat runs, so the range is widened.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Singing is done with the performer's own voice in the room.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 1/4.
Rehearsing music pieces
staying human
This work happens in the physical world: music pieces, in a real place. Software cannot follow it there.
importance 90 · 3413/08
Source: “Rehearse music pieces.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Rehearsing music means physically playing it, which only the musician can do.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 1/4.
Enhancing improvisation or vocal skills through regular practice
staying human
This work happens in the physical world: improvisation, in a real place. Software cannot follow it there.
importance 85 · 3413/08
Source: “Enhance improvisation or vocal skills through regular practice.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Practising to improve your own playing or singing is physical.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 1/4.
Participating in recitals as part of live performances
staying human
This work happens in the physical world: recitals, in a real place. Software cannot follow it there.
importance 85 · 3413/08
Source: “Participate in recitals as part of live performances.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Playing in a recital means being on the platform performing.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 1/4.
Providing the musical background for live shows
staying human
This work happens in the physical world: the musical background, in a real place. Software cannot follow it there.
importance 85 · 3413/08
Source: “Provide the musical background for live shows, such as ballets, operas, musical theatre, and cabarets.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Providing live music for a show means musicians playing in the pit or on stage.
The five ratings: output a model can produce 1/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Sing following printed text, musical notation or customer instructions
staying human
This work happens in the physical world: printed text, musical notation or customer instructions, in a real place. Software cannot follow it there.
importance 85 · 3413/08
Source: “Sing following printed text, musical notation, or customer instructions.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Singing from a score is done with the singer's own voice at the time.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Improvising music during performances
staying human
This work happens in the physical world: music during performances, in a real place. Software cannot follow it there.
importance 80 · 3413/08
Source: “Improvise music during performances.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Improvising in performance happens in the moment on the instrument.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 1/4.
Playing from memory or by following scores
staying human
This work happens in the physical world: memory, in a real place. Software cannot follow it there.
importance 80 · 3413/08
Source: “Play from memory or by following scores.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Playing from memory or from a score is physical performance.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Studying with vocal coaches to rehearse for upcoming roles
staying human
This work happens in the physical world: vocal coaches, in a real place. Software cannot follow it there.
importance 80 · 3413/08
Source: “Study with vocal coaches to rehearse for upcoming roles.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Coaching sessions are worked through in person, with the coach listening to the voice.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 1/4.
Observing choral leaders or prompters for cues or directions in vocal presentation
staying human
This work happens in the physical world: choral leaders, in a real place. Software cannot follow it there.
importance 75 · 3413/08
Source: “Observe choral leaders or prompters for cues or directions in vocal presentation.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Watching a conductor for cues happens while singing in the performance.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 1/4.
Playing musical instruments, such as keyboard, guitar or percussion instruments, during performances
staying human
This work happens in the physical world: musical instruments, in a real place. Software cannot follow it there.
importance 75 · 3413/08
Source: “Play musical instruments, such as keyboard, guitar, or percussion instruments, during performances.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Playing an instrument in performance is hands-on work by the musician.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.

What this job pays, and how many people do it

Median pay: No median pay figure is published for this exact group, so there is none here. We would rather show you the gap than a number borrowed from somewhere else.The ONS doesn't publish a reliable pay figure for this exact job (too few people in its survey sample), so none is shown here.
People doing this job: 58,500in the UK, 2026.nomis-aps · Apr 2025-Mar 2026 (latest APS 12-month period)This headcount comes from a survey, not a census, so treat it as a good estimate rather than an exact count.

What is deliberately not here: a forecast of how many of these jobs exist in ten years. Where an official projection exists for a market we publish it with its vintage; where it does not, we leave the space empty rather than borrow the other country’s number.

Why this is shifting

The reason is boringly specific. Most of what is shifting here is reading one thing and writing another: social media in, a record out. The rows above are exactly that shape: researching roles to understand a character's background and using social media to promote an act. What it cannot do is be there in the room, and that is still where live audiences get done. Which is why this page talks about your tasks changing, not your job ending.

Your move

Over a pint: what I’d tell you if you were my friend

Your week is splitting in two, and which half fills it is the whole question. Researching roles to understand a character's background is going; performing for live audiences is not.

So, given all that: 25% of this job's task weight sits in rows the software is already learning, 7% in rows that change shape rather than disappear, and 67% in rows it is nowhere near. That is the position, measured across 174 scored tasks. It is not a forecast about you.

The occupation is an average and you are not, so the first job below is finding out where your own week actually sits.

This week: one thing

Print the task ledger above and put your own hours next to each row. Roughly, in pen, in one sitting. Then look at which group your hours actually pile up in. Twenty minutes, this week.

What you end up holding: your own week, on one page, sorted into what is shifting and what is not
How long it takes: about twenty minutes

If printing it isn’t practical: Read the rows off this page and write the same list on the back of an envelope. Same twenty minutes, same page, and it works just as well said out loud to someone who knows the job. The point is your hours next to the rows, not the paper it is on.

Over the next 90 days

Volunteer toward the durable end, visibly. Over the next ninety days put your hand up for the work in the bottom group (performing for live audiences) and let people see you doing it. Not a new project: the same job, with your mix deliberately tilted. The point is that when the rota or the reorganisation comes, the version of you people picture is the one doing the part that stays.

Over the next 12 months

Claim a specialism at the durable end and let the other end go. Over a year, deliberately become the person who handles performing for live audiences, and deliberately stop being the first choice for the rows in the top group. That trade costs something, because the exposed work is often the comfortable work. Decide it on purpose rather than by drift. Before you pay for anything, spend an hour with National Careers Service. It is free and government-funded, and it is listed below with the rest of the free routes.

The roads out of here, and why I am not sending you down them

I looked at the obvious moves out of this job, and here is what I found.

I checked the 12 nearest UK occupations to actors, entertainers and presenters (nearest by the work that AI is not taking, not by job title), and none of them survived. The closest was musicians: only about 9% of its durable work is work you already do. And on the numbers you do not need one. This job scores 28/100 here, with only 25% of the task list in the top band, and “perform for live audiences” is not work that hands over cleanly. None of them beats deepening what you already have.

How that was checked: this job was compared against all 412 UK occupations in this release on their official task statements, and the 12 nearest were examined one by one. A move that turns on an industry, an employer or a qualification rather than on the work itself will not show up in a check like that. And this release carries no licence register, so anything you are weighing needs that looked up separately.

3 moves I checked and rejected

These are the obvious-looking jumps. They are here with their reasons rather than quietly dropped, because the ones that fail are worth knowing about. It is one less thing to turn over at night.

Musicians
Why it looked obvious: It came up as a near neighbour because one of your tasks is on their list in the same words: “perform for live audiences”. Across the whole of both lists that adds up to about 9% of the work in that job the software is not taking.
Why I am not recommending it: Almost none of it is work you already do: about 9% of the durable side of that job. That is a different job, not a next step. This release publishes no median pay for that job, so I cannot show you what the move costs or pays. I do not recommend a move I cannot price.
Look at that job’s page anyway →
Arts officers, producers and directors
Why it looked obvious: It came up as a near neighbour because one of your tasks is on their list in the same words: “attend rehearsals to prepare for productions”. Across the whole of both lists that adds up to about 8% of the work in that job the software is not taking.
Why I am not recommending it: Almost none of it is work you already do: about 8% of the durable side of that job. That is a different job, not a next step. This release publishes no median pay for that job, so I cannot show you what the move costs or pays. I do not recommend a move I cannot price.
Look at that job’s page anyway →
Dancers and choreographers
Why it looked obvious: It came up as a near neighbour because one of your tasks is on their list in the same words: “perform for live audiences”. Across the whole of both lists that adds up to about 6% of the work in that job the software is not taking.
Why I am not recommending it: Almost none of it is work you already do: about 6% of the durable side of that job. That is a different job, not a next step. This release publishes no median pay for that job, so I cannot show you what the move costs or pays. I do not recommend a move I cannot price.
Look at that job’s page anyway →

What I’d stop worrying about

A friend tells you what not to spend fear on. This is that list.

The headline number you read somewhere
The big “X% of jobs” figures are about the whole economy, not about you. The number that describes your job is on this page: 25% of its task weight, across 174 scored tasks. Every row behind it is printed above with the source. Check ours; ignore theirs.
The whole-job doom story
Nothing on this page says this job ends. It says the mix inside it moves. Half the rows above are unchanged or changing shape, and the plan is about which half your week sits in. That is a very different problem, and a solvable one.
Panic-buying a course
Do the twenty-minute sorting exercise first. Most people who buy a course before they have done it buy the wrong one, and the free services listed below will tell you the same thing without charging for it.
The “obvious” next job everyone suggests
I checked the obvious moves and most of them did not survive. The reasons are printed with the routes above, including the pay and the gate. A move that fails on the numbers is worth knowing about so you can stop turning it over at night.

You are reading the United Kingdom figures

The United States splits this work across more than one official group, of which Actors is the closest. The pay and employment figures are not directly comparable, and we do not average them together.

Switch to the United States page →partial match

The other groups this work is counted across:

In US official statistics this job is counted as Actors, Disc Jockeys, Except Radio, Entertainers and Performers, Sports and Related Workers, All Other, Broadcast Announcers and Radio Disc Jockeys, Media and Communication Workers, All Other and Models. Pay is shown separately for each of those groups (medians cannot be averaged together), while the task list and the scores on this page are for this group only.

Your route through this

Where to go next, and what it costs

Free, and complete

The moves above cost nothing. These are the real services that go with them: public, government-funded, and free at the point of use. Nothing on this page is behind an email address or a payment.

In England:
National Careers Service
A free hour with a government-funded careers adviser is worth more than another evening of reading. In England that's the National Careers Service.
Free, government-funded
- Discover your skills and careers (the skills assessment)
In England:
National Careers Service - Find a course
Search what's actually running near you before you spend anything.
Free to search; individual courses vary
In England:
Free courses for jobs (Level 3 qualifications)
A free Level 3 qualification you already qualify for beats a paid course you don't need.
Free for eligible adults
In England:
Skills Bootcamps
Free, up to 16 weeks, and you get a job interview at the end. In England these are Skills Bootcamps - search what's running near you.
Free for eligible adults in England
- Skills Bootcamps - what they are and who can do them (DfE, Skills for Careers)
- Skills Bootcamps - JobHelp (DWP)
In Scotland:
My World of Work (Skills Development Scotland)
In Scotland it's My World of Work, from Skills Development Scotland.
Free, publicly funded
- Skills Development Scotland
In Wales:
Careers Wales
In Wales it's Careers Wales.
Free, Welsh Government-funded
In Northern Ireland:
Careers Service Northern Ireland
In Northern Ireland it's the Careers Service on nidirect.
Free, Department for the Economy-funded

No Space for this job, but one for what is happening to it

Nothing Collab365 runs is built for actors / entertainers / presenters, and we are not going to point you at the nearest one and call it a fit.

There is one that is not about a job title at all. The AI Authority is about being the person who directs these tools at work rather than the person they get compared to. That is worth saying here, because 25% of the work on this page is already inside what they can do.

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The AI Authority is a general community about working with AI, not a course for actors / entertainers / presenters. You do not need it to act on anything here: the moves above cost nothing and stand on their own. The data on this page is the same either way.

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No Space for actors / entertainers / presenters yet. Should there be one?

Collab365 Spaces is built by the same people as this site. We find the problems that AI and automation are creating inside one kind of work, then solve them as short courses, briefings and Blueprints. Each Space is the community too, so the research and the people doing your job are in the same place.

What a Space actually is, in full

Collab365 launches new communities where the need is real. If one for actors / entertainers / presenters existed, with researched problems, courses and people in the same boat, would you want in?

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This unlocks nothing. Every figure, every row and every step on this page is already yours, whether you fill this in or not.

No deadline on any of this. The page will still be here, and the data is refreshed on a published schedule rather than when someone wants a headline.

Questions people ask about this job

Will AI replace Actors, entertainers and presenters?: Not as a job, but it is already doing parts of the work. Across the 174 official task statements scored for Actors, entertainers and presenters (United Kingdom, SOC 3413), 25% of the importance-weighted core work is made of tasks today's AI could already do most of. The overall exposure score is 28 out of 100 (range 24–33, band: low). That is a statement about tasks, not about headcount: this measures what AI could do, not whether any employer adopts it, whether the law allows it, or whether doing the routine parts faster creates more demand for the human parts. Figures are from release 2026-q4.1.
Which tasks in “Actors, entertainers and presenters” can AI already do?: The highest-scoring tasks in release 2026-q4.1 are: “Create programme logs to track broadcast content” (93/100, very high); “Update the programme or station website, ensuring that the on-air and online content are the same” (93/100, very high); “Archive past programmes for future broadcasting and reference” (93/100, very high). Each score comes from five published 0–4 ratings turned into a number by a published formula, and each carries the model's one-sentence reason on the page.
Which tasks in “Actors, entertainers and presenters” stay human?: About 67% of this job's task weight sits in work that scores low for AI exposure. The lowest-scoring tasks in release 2026-q4.1 are: “Play musical instruments, such as keyboard, guitar, or percussion instruments, during performances” (0/100, minimal); “Observe choral leaders or prompters for cues or directions in vocal presentation” (0/100, minimal); “Study with vocal coaches to rehearse for upcoming roles” (0/100, minimal). Low scores usually mean the task needs a body in a room, a legally accountable human, or trust built in real time. Those are the three things the scoring rubric treats as gates rather than obstacles.
What should someone working in “Actors, entertainers and presenters” do about AI?: Start from the ledger rather than the headline: 25% of this job's weighted core work is exposed, and roughly 67% is not. The practical move is to spend more of your week on the tasks that score low, the ones above, and to get fluent at directing AI through the tasks that score high, because those are the parts that change whether or not you are ready for them. This page does not predict your job, and nothing here is career advice tailored to you: the score describes the occupation, not the person.
How is the AI exposure score for Actors, entertainers and presenters calculated?: Each official task statement for the occupation is rated on five published 0–4 dimensions (output replicability, physical embodiment, licensed accountability, real-time human trust, and data availability) by claude-opus-5 using scoring prompt task_scoring_v1.0. The model never writes the score; a published formula turns the five ratings into a 0–100 number, so every score can be recomputed by hand. The occupation figure is the importance-weighted mean across 174 scored tasks. The prompt, the rubric, the formula and the full dataset are published at https://futureproof.collab365.com/method and https://futureproof.collab365.com/data/2026-q4.1 under CC BY 4.0.

Where these numbers come from

About the data on this page

The ONS doesn't publish a reliable pay figure for this exact job (too few people in its survey sample), so none is shown here.
This headcount comes from a survey, not a census, so treat it as a good estimate rather than an exact count.
3 tasks scored differently between repeat runs, so their range on this page is wider. We would rather show the wobble than hide it.
The match between this job and its counterpart in the other country is partial, so the two pages count slightly different groups of people.
62 of this occupation's scored task statements carry a score that was measured under a different occupation's context, because the statement is shared between jobs and has only been scored once so far. Each one names the occupation it was measured under in the free routes below; none is presented as a measurement for this job.
ASHE suppresses or does not publish a median for this unit group. We leave it empty rather than interpolating one from sibling groups, which would be a fabricated number.
Task clusters are not derived in this release, so the task-cluster field is empty and no Collab365 Space routing is attached to this occupation yet.

Task statements: gaisi-indexProcessing: catalogue-bridge → ssc-relatedness-weighting → task-scoring → score-aggregation
Task weights: gaisi-index (relatedness)
Scores: Rubric task_scoring_v1.0, model claude-opus-5, computed 2026-08-05.
Pay and employment: no pay figure published for this groupnomis-aps (Apr 2025-Mar 2026 (latest APS 12-month period))

Figures on this page come from release 2026-q4.1, published 2026-08-05. Every release keeps its own permanent address, so a figure you cite in March is still there, unchanged, in November.

The plain-English wording on this page is assembled directly from the task statements and the published ratings, not written by hand for this occupation. That is why it is specific, and it is also why we say so.

The routes and free resources further up are today’s, not the release’s (last reviewed 2026-08-05). A route is an offer, not a historical fact, so it moves on its own clock.

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Everything on this site is published under CC BY 4.0. Quote it, chart it, sell something built on it. Just say where it came from, and cite the dated release rather than the site, so the figure you quote stays checkable.

Plain text

Collab365 (2026). Collab365 Futureproof: task-level AI exposure for US and UK occupations, release 2026-q4.1 (methodVersion 2.0.0, promptVersion task_scoring_v1.0). https://futureproof.collab365.com/data/2026-q4.1. Licensed CC BY 4.0. Built with O*NET data (USDOL/ETA, CC BY 4.0); ONS data (Open Government Licence v3.0); GAISI task framework (arXiv:2507.22748, MIT); BLS data (public domain).

BibTeX

@misc{collab365futureproof2026q41,
  title        = {Collab365 Futureproof: task-level AI exposure for US and UK occupations, release 2026-q4.1},
  author       = {{Collab365}},
  year         = {2026},
  url          = {https://futureproof.collab365.com/data/2026-q4.1},
  note         = {Release 2026-q4.1, methodVersion 2.0.0, promptVersion task_scoring_v1.0, CC BY 4.0}
}

Permalink

https://futureproof.collab365.com/data/2026-q4.1

Data as of release 2026-q4.1, published 2026-08-05. Releases never change after publication; when the figures move, a new dated release is published beside this one and this one stays exactly where it is.