UK dataswitch to US

Photographers, audio-visual and broadcasting equipment operators

enhancing, editing and mixing studio recorded tracks, giving technical directions to personnel during filming and operating the camera and managing all filming aspects when working solo on a project. If that's your week, this page is about your job.

The honest answer

AI changes the edges of this job, not the middle: regulating volume level and sound quality during recording sessions using control consoles is work software can't reach.

Your move: what you can actually do about this ↓

Where the work sits, by task weight

shifting to AI: 15%
changing shape: 12%
staying human: 73%

These bars are tasks changing hands, not people being counted out. The ledger below shows which.

Whole-job exposure score 23 out of 100 (20–28 allowing for uncertainty): low exposure, across 197 scored tasks. The number is the support for the sentence above it, not a headline about anyone’s future.

How we know this

What is measured: Every published task statement for photographers, audio-visual and broadcasting equipment operators is rated on five dimensions: can a model produce the output, does the work need a body in a room, does it need a legally accountable person, does it depend on a person being trusted in the moment, and how much data exists. A published formula turns those five ratings into the score; the model never writes the number.

How the bar is built: Each task’s share of the bar is its published importance weight, so a task you do all day counts for more than one you do twice a year.

Release: 2026-q4.1, scores computed 2026-08-04. Read the full method.

What shifts is separating instruments, vocals and other sounds during the mixing stage: the paper around the work, not the work.

Your week, as this page understands it

Photographers, audio-visual and broadcasting equipment operators operate and assist with still, cine and television cameras, operate other equipment to record, manipulate and project sound and vision for entertainment, cultural, commercial and industrial purposes and operate drones to provide aerial video and photographs. The job title says “photographers”, “audio-visual” or “broadcasting equipment operators”: officially one job, several names. The real job is the part underneath: regulating volume level and sound quality during recording sessions using control consoles. That is the thing someone has to be right about.

The exposed part of this job is specific, and we won’t pretend it is coming back. But photographers, audio-visual and broadcasting equipment operators is not one task. It is 197 scored ones, and they are nowhere near equally exposed. The most durable of them, on this evidence, is regulating volume level and sound quality during recording sessions using control consoles, and the ledger below shows exactly why.

Where the work sits, by task weight

shifting to AI: 15%
changing shape: 12%
staying human: 73%

These bars are tasks changing hands, not people being counted out. The ledger below shows which.

How we know this

How the bar is built: Each task’s share of the bar is its published importance weight, so a task you do all day counts for more than one you do twice a year.

Release: 2026-q4.1, scores computed 2026-08-04. Read the full method.

Your job, task by task

These are the official task statements for this occupation, in plain English, sorted by what the evidence says is happening to each one. The official wording sits under every line so you can check the rewrite against it.

One task scored differently between repeat runs, so its range on this page is wider. We would rather show the wobble than hide it.
30 of this occupation's scored task statements carry a score that was measured under a different occupation's context, because the statement is shared between jobs and has only been scored once so far. Each one names the occupation it was measured under in the free routes below; none is presented as a measurement for this job.
Task clusters are not derived in this release, so the task-cluster field is empty and no Collab365 Space routing is attached to this occupation yet.

Shifting to AI

32 tasks

Tasks today’s tools can already do most of. This is the part we will not soften: where these rows are the bulk of your week, the week changes.

Separating instruments, vocals and other sounds during the mixing stage
This is reading one thing and writing another: instruments, vocals and other sounds in, a record out. That is the shape today's tools are built for.
importance 80 · 3417/04, 3417/05
Source: “Separate instruments, vocals, and other sounds during the mixing stage.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Splitting a mix back into separate instruments and vocals is something software now does very accurately.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Creating musical instrument digital interface programmes for music projects
This is reading one thing and writing another: musical instrument digital interface programmes in, a record out. That is the shape today's tools are built for.
importance 75 · 3417/04, 3417/05
Source: “Create musical instrument digital interface programmes for music projects, commercials, or film post-production.” (UK task statement)
How this row was scored
Exposure score: 75 out of 100 (71–79 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Writing and arranging music data files is documented, screen-based work tools handle well.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Keeping up to date with filming methods and equipment
This is reading one thing and writing another: to date in, a record out. That is the shape today's tools are built for.
importance 75 · 3417/01, 3417/03
Source: “Keep up to date with filming methods and equipment.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Keeping up with new methods and kit is reading and summarising, which tools do quickly and well.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Adding effects to recordings
This is reading one thing and writing another: effects in, a record out. That is the shape today's tools are built for.
importance 90 · 3417/05
Source: “Add effects to recordings.” (UK task statement)
How this row was scored
Exposure score: 75 out of 100 (71–79 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Applying effects to recordings is standard software processing that tools apply well.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.

Changing shape

23 tasks

Tasks where the machine takes the producing and a person keeps the checking, the deciding, or the answering-for-it. For most jobs this is the biggest group, and it is where "transformation, not termination" is literally visible.

Combining sounds during the postproduction stage
The software now makes the first pass at sounds during the postproduction stage, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 80 · 3417/04, 3417/05
Source: “Combine sounds during the postproduction stage.” (UK task statement)
How this row was scored
Exposure score: 43 out of 100 (36–50 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Automated tools combine and balance tracks reasonably, though final decisions rest on trained listening.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Designing audio equipment setups for optimal sound quality
The software now makes the first pass at audio equipment setups, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 85 · 3417/05, 3417/06
Source: “Design audio equipment setups for optimal sound quality.” (UK task statement)
How this row was scored
Exposure score: 43 out of 100 (36–50 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: System designs can be drafted from specifications, but the layout depends on the actual room.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Reporting technical problems encountered during operations
The software now makes the first pass at technical problems encountered during operations, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 60 · 3417/04, 3417/05
Source: “Report technical problems encountered during operations.” (UK task statement)
How this row was scored
Exposure score: 56 out of 100 (52–60 allowing for uncertainty): partial exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Writing up technical problems from an operational shift is straightforward reporting.
The five ratings: output a model can produce 3/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.

Staying human

142 tasks

Tasks that stay with a person, because they happen in the physical world, because the rules need someone accountable, or because the value is that a specific person does them.

Regulating volume level and sound quality during recording sessions using control consoles
This work happens in the physical world: volume level, in a real place. Software cannot follow it there.
importance 85 · 3417/04, 3417/05, 3417/06
Source: “Regulate volume level and sound quality during recording sessions using control consoles.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Riding the faders during a recording session means being at the console as it happens.
The five ratings: output a model can produce 1/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Recording and editing audio material
This work happens in the physical world: audio material, in a real place. Software cannot follow it there.
importance 80 · 3417/04, 3417/05, 3417/06
Source: “Record and edit audio material, such as film soundtracks, using audio recording and editing equipment.” (UK task statement)
How this row was scored
Exposure score: 29 out of 100 (22–36 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Editing can be partly automated, but recording the material means microphones in a real space.
The five ratings: output a model can produce 2/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Coordinating audio feeds with television pictures
This work happens in the physical world: audio feeds, in a real place. Software cannot follow it there.
importance 75 · 3417/04, 3417/05, 3417/06
Source: “Coordinate audio feeds with television pictures.” (UK task statement)
How this row was scored
Exposure score: 8 out of 100 (1–15 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Synchronising audio to pictures live means an operator watching and listening as it goes out.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.

Show the other 187 tasks

Maintaining accurate records of work
shifting to AI
This is reading one thing and writing another: accurate records of work in, a record out. That is the shape today's tools are built for.
importance 55 · 3417/01
Source: “Maintain accurate records of work performed, including maintenance schedules, repairs, and parts used.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Logging jobs, parts and service dates is structured record keeping that maintenance software handles automatically.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Updating equipment lists accurately and informing relevant parties of changes
shifting to AI
This is reading one thing and writing another: equipment lists in, a record out. That is the shape today's tools are built for.
importance 55 · 3417/01
Source: “Update equipment lists accurately and inform relevant parties of changes.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Keeping equipment lists current and notifying people is routine record-keeping software does well.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Using software to digitally enhance images
shifting to AI
This is reading one thing and writing another: software in, a record out. That is the shape today's tools are built for.
importance 80 · 3417/03
Source: “Use software to digitally enhance images, including changing emphasis and correcting faults.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Correcting faults and adjusting emphasis in images is exactly what current editing tools automate.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Conducting research for a shoot
shifting to AI
This is reading one thing and writing another: research in, a record out. That is the shape today's tools are built for.
importance 65 · 3417/03
Source: “Conduct research for a shoot.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Background research for a shoot is searching and summarising, which tools do quickly and thoroughly.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Managing and updating an in-house image library
shifting to AI
This is reading one thing and writing another: this work in, a record out. That is the shape today's tools are built for.
importance 65 · 3417/03
Source: “Manage and update an in-house image library.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Cataloguing, tagging and organising an image library is work software now does automatically.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Writing picture captions
shifting to AI
This is reading one thing and writing another: picture captions in, a record out. That is the shape today's tools are built for.
importance 65 · 3417/03
Source: “Write picture captions.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Writing captions from images and shoot details is a task current tools do at professional standard.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Logging recordings and other session details in the studio archive
shifting to AI
This is reading one thing and writing another: recordings in, a record out. That is the shape today's tools are built for.
importance 85 · 3417/05
Source: “Log recordings and other session details in the studio archive.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Logging session details into an archive is routine record-keeping software does accurately.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Compressing audio and video data
shifting to AI
This is reading one thing and writing another: audio in, a record out. That is the shape today's tools are built for.
importance 65 · 3417/06
Source: “Compress audio and video data.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Compressing audio and video is a fully automated software process.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Duplicating audio and video data for production purposes
shifting to AI
This is reading one thing and writing another: audio in, a record out. That is the shape today's tools are built for.
importance 65 · 3417/06
Source: “Duplicate audio and video data for production purposes.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Duplicating media files is a routine automated process.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Analysing and maintaining data logs for audio-visual activities
shifting to AI
This is reading one thing and writing another: data logs in, a record out. That is the shape today's tools are built for.
importance 60 · 3417/06
Source: “Analyse and maintain data logs for audio-visual activities.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Keeping and analysing activity logs is exactly the kind of record work software does well.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Coordinating the booking of audio-visual equipment and meeting room facilities
shifting to AI
This is reading one thing and writing another: the booking of audio-visual equipment in, a record out. That is the shape today's tools are built for.
importance 60 · 3417/06
Source: “Coordinate the booking of audio-visual equipment and meeting room facilities.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Booking rooms and equipment is diary and inventory work software handles reliably.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Storing audio and video data for theatrical and film productions
shifting to AI
This is reading one thing and writing another: audio in, a record out. That is the shape today's tools are built for.
importance 60 · 3417/06
Source: “Store audio and video data for theatrical and film productions.” (UK task statement)
How this row was scored
Exposure score: 93 out of 100 (89–97 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Archiving and storing media files is automated data-management work.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Maintaining awareness of health and safety issues and legislation
shifting to AI
This is reading one thing and writing another: awareness of health in, a record out. That is the shape today's tools are built for.
importance 50 · 3417/01
Source: “Maintain awareness of health and safety issues and legislation.” (UK task statement)
How this row was scored
Exposure score: 83 out of 100 (79–87 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Health and safety rules are published in full, so tools summarise and track them reliably.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 4/4.
Editing and enhancing photographs using image editing software to achieve desired visual effects
shifting to AI
This is reading one thing and writing another: photographs in, a record out. That is the shape today's tools are built for.
importance 85 · 3417/03
Source: “Edit and enhance photographs using image editing software to achieve desired visual effects.” (UK task statement)
How this row was scored
Exposure score: 83 out of 100 (79–87 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Photo editing tools already do most enhancement automatically to a standard many clients accept.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 4/4.
Editing, and posting-produce photographic content to meet brief requirements
shifting to AI
This is reading one thing and writing another: posting-produce photographic content in, a record out. That is the shape today's tools are built for.
importance 80 · 3417/03
Source: “Edit and post-produce photographic content to meet brief requirements.” (UK task statement)
How this row was scored
Exposure score: 83 out of 100 (79–87 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Post-production on photographs is heavily automated and produces results most briefs would accept.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 4/4.
Employing specialist software for photo editing
shifting to AI
This is reading one thing and writing another: specialist software in, a record out. That is the shape today's tools are built for.
importance 75 · 3417/03
Source: “Employ specialist software for photo editing.” (UK task statement)
How this row was scored
Exposure score: 83 out of 100 (79–87 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Specialist editing software increasingly does the retouching steps automatically to a usable standard.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 4/4.
Maintaining websites to ensure functionality and currency
shifting to AI
This is reading one thing and writing another: websites in, a record out. That is the shape today's tools are built for.
importance 60 · 3417/03
Source: “Maintain websites to ensure functionality and currency.” (UK task statement)
How this row was scored
Exposure score: 83 out of 100 (79–87 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Keeping a website working and current is well-documented web work that tools largely handle.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 4/4.
Performing financial administration tasks, including budgeting and invoicing
shifting to AI
This is reading one thing and writing another: financial administration tasks, including budgeting in, a record out. That is the shape today's tools are built for.
importance 60 · 3417/03
Source: “Perform financial administration tasks, including budgeting and invoicing.” (UK task statement)
How this row was scored
Exposure score: 81 out of 100 (77–85 allowing for uncertainty): very high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Budgeting and invoicing is routine number and paperwork software already does accurately.
The five ratings: output a model can produce 4/4 · needs a body in a room 0/4 · needs an accountable person 1/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Reviewing sets of photographs to select the best work
shifting to AI
This is reading one thing and writing another: sets of photographs in, a record out. That is the shape today's tools are built for.
importance 80 · 3417/03
Source: “Review sets of photographs to select the best work.” (UK task statement)
How this row was scored
Exposure score: 75 out of 100 (68–82 allowing for uncertainty): high exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Sorting through a shoot to pick the best frames is something image software now does to a useful standard.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Identifying script locations for sound effects
shifting to AI
This is reading one thing and writing another: script locations in, a record out. That is the shape today's tools are built for.
importance 75 · 3417/05
Source: “Identify script locations for sound effects.” (UK task statement)
How this row was scored
Exposure score: 75 out of 100 (71–79 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Reading a script and marking where effects are needed is text analysis tools do well.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Interpreting system specifications
shifting to AI
This is reading one thing and writing another: system specifications in, a record out. That is the shape today's tools are built for.
importance 80 · 3417/06
Source: “Interpret system specifications for productions, live performances, and events, including sound, lighting, and video.” (UK task statement)
How this row was scored
Exposure score: 75 out of 100 (71–79 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Reading and interpreting a system specification is document work tools handle well.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Reading charts and computing ratios to determine variables
shifting to AI
This is reading one thing and writing another: charts in, a record out. That is the shape today's tools are built for.
importance 75 · 3417/01
Source: “Read charts and compute ratios to determine variables such as lighting, shutter angles, filter factors, and camera distances.” (UK task statement)
How this row was scored
Exposure score: 69 out of 100 (65–73 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Working out lighting ratios, angles and distances is arithmetic computers do reliably.
The five ratings: output a model can produce 4/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Advising Rental Desk colleagues and clients on equipment compatibility and usage
shifting to AI
This is reading one thing and writing another: rental desk colleagues in, a record out. That is the shape today's tools are built for.
importance 70 · 3417/01
Source: “Advise Rental Desk colleagues and clients on equipment compatibility and usage.” (UK task statement)
How this row was scored
Exposure score: 64 out of 100 (60–68 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Compatibility and usage advice comes from documented specifications, which tools look up and explain well.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Interpreting specifications for client shooting packages and recommending changes to pre-empt complications
shifting to AI
This is reading one thing and writing another: specifications in, a record out. That is the shape today's tools are built for.
importance 65 · 3417/01
Source: “Interpret specifications for client shooting packages and recommend changes to pre-empt complications.” (UK task statement)
How this row was scored
Exposure score: 64 out of 100 (60–68 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Reading a shooting specification and spotting gaps is document work tools handle well.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Planning and allocating resources to meet specification timescales
shifting to AI
This is reading one thing and writing another: resources in, a record out. That is the shape today's tools are built for.
importance 60 · 3417/01
Source: “Plan and allocate resources to meet specification timescales, resolving any resource availability issues.” (UK task statement)
How this row was scored
Exposure score: 64 out of 100 (60–68 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Resource planning against timescales is scheduling work software does well.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Creating photographic proofs for client review and approval
shifting to AI
This is reading one thing and writing another: photographic proofs in, a record out. That is the shape today's tools are built for.
importance 75 · 3417/03
Source: “Create photographic proofs for client review and approval.” (UK task statement)
How this row was scored
Exposure score: 64 out of 100 (60–68 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Producing proofs for a client to review is file preparation software handles automatically.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Selecting the best images for the client to use online or in print
shifting to AI
This is reading one thing and writing another: the best images in, a record out. That is the shape today's tools are built for.
importance 75 · 3417/03
Source: “Select the best images for the client to use online or in print.” (UK task statement)
How this row was scored
Exposure score: 64 out of 100 (57–71 allowing for uncertainty): high exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Shortlisting the strongest images is selection work software does well, with the client's taste checked afterwards.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Coordinating recording sessions by scheduling times and resources with producers and artists
shifting to AI
This is reading one thing and writing another: sessions in, a record out. That is the shape today's tools are built for.
importance 90 · 3417/05
Source: “Coordinate recording sessions by scheduling times and resources with producers and artists.” (UK task statement)
How this row was scored
Exposure score: 64 out of 100 (60–68 allowing for uncertainty): high exposure, high confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Scheduling sessions and resources is diary and coordination work software handles well.
The five ratings: output a model can produce 3/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Editing broadcast material electronically, using computers
changing shape
The software now makes the first pass at broadcast material, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 70 · 3417/01
Source: “Edit broadcast material electronically, using computers.” (UK task statement)
How this row was scored
Exposure score: 58 out of 100 (51–65 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Software can assemble a rough cut, but a broadcast-standard edit still needs an editor's judgement throughout.
The five ratings: output a model can produce 2/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Enhancing, editing and mixing studio recorded tracks
changing shape
The software now makes the first pass at studio recorded tracks, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 95 · 3417/05
Source: “Enhance, edit and mix studio recorded tracks.” (UK task statement)
How this row was scored
Exposure score: 58 out of 100 (51–65 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Automated mixing and mastering tools give a usable result, but a finished record still needs an engineer.
The five ratings: output a model can produce 2/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Reading work orders to determine production specifications and information
changing shape
The software now makes the first pass at work orders, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 50 · 3417/01
Source: “Read work orders to determine production specifications and information.” (UK task statement)
How this row was scored
Exposure score: 56 out of 100 (49–63 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Pulling the specifications out of a work order is straightforward document reading that software handles well.
The five ratings: output a model can produce 3/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Retouching photographs and negatives using airbrushing and other techniques
changing shape
The software now makes the first pass at photographs, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 75 · 3417/03
Source: “Retouch photographs and negatives using airbrushing and other techniques.” (UK task statement)
How this row was scored
Exposure score: 56 out of 100 (49–63 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Digital retouching is largely automated, though work on physical negatives still needs hands.
The five ratings: output a model can produce 3/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Creating and updating sample libraries
changing shape
The software now makes the first pass at sample libraries, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 70 · 3417/04
Source: “Create and update sample libraries.” (UK task statement)
How this row was scored
Exposure score: 56 out of 100 (49–63 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Building and organising sample libraries is largely file work software can process in bulk.
The five ratings: output a model can produce 3/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Maintaining and adding to sound libraries
changing shape
The software now makes the first pass at sound libraries, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 70 · 3417/04
Source: “Maintain and add to sound libraries.” (UK task statement)
How this row was scored
Exposure score: 56 out of 100 (49–63 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Cataloguing and extending sound libraries is organising and processing files, which tools do well.
The five ratings: output a model can produce 3/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Prerecording any sound effects and music
changing shape
The software now makes the first pass at any sound effects, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 80 · 3417/05
Source: “Pre-record any sound effects and music.” (UK task statement)
How this row was scored
Exposure score: 56 out of 100 (49–63 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Sound effects and music can now be generated and edited to a usable standard on a computer.
The five ratings: output a model can produce 3/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Creating a sound map or storyboard for a project
changing shape
The software now makes the first pass at a sound map, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 90 · 3417/04
Source: “Create a sound map or storyboard for a project.” (UK task statement)
How this row was scored
Exposure score: 50 out of 100 (43–57 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: mistakes that are cheap to catch.
The rating behind it: A sound map can be drafted from a script, though the useful version comes from the designer's ear and experience.
The five ratings: output a model can produce 2/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Continuouslying update the order handler and relevant colleagues on client shooting package progress
changing shape
The software now makes the first pass at update the order handler, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 60 · 3417/01
Source: “Continuously update the order handler and relevant colleagues on client shooting package progress.” (UK task statement)
How this row was scored
Exposure score: 48 out of 100 (41–55 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Progress updates are drawn from the order system, which software can compile and send automatically.
The five ratings: output a model can produce 3/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Overseeing administrative duties to ensure smooth operation of a small business
changing shape
The software now makes the first pass at administrative duties, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 65 · 3417/03
Source: “Oversee administrative duties to ensure smooth operation of a small business.” (UK task statement)
How this row was scored
Exposure score: 48 out of 100 (41–55 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Small business admin is largely bookkeeping and scheduling that software handles.
The five ratings: output a model can produce 3/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Arranging for necessary repairs to be carried out
changing shape
The software now makes the first pass at necessary repairs, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 60 · 3417/04, 3417/05
Source: “Arrange for necessary repairs to be carried out.” (UK task statement)
How this row was scored
Exposure score: 48 out of 100 (41–55 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Logging faults and calling out repairers is scheduling work software handles well.
The five ratings: output a model can produce 3/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Using specialist equipment to master mixed and edited tracks
changing shape
The software now makes the first pass at specialist equipment, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 90 · 3417/05
Source: “Use specialist equipment to master mixed and edited tracks, ensuring they meet the artist's vision for release.” (UK task statement)
How this row was scored
Exposure score: 48 out of 100 (41–55 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: reading one thing and writing another; the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Automated mastering now produces results many releases use, though artists often want a human ear on it.
The five ratings: output a model can produce 3/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Assessing technical aspects of film production
changing shape
The software now makes the first pass at technical aspects of film production, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 80 · 3417/01
Source: “Assess technical aspects of film production, including camera angles, lighting, and editing.” (UK task statement)
How this row was scored
Exposure score: 43 out of 100 (36–50 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Technical review of footage can be partly automated, though the craft judgements still need an experienced eye.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Maintaining portfolios of artistic work to demonstrate styles
changing shape
The software now makes the first pass at portfolios of artistic work, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 70 · 3417/03
Source: “Maintain portfolios of artistic work to demonstrate styles, interests, and abilities.” (UK task statement)
How this row was scored
Exposure score: 43 out of 100 (36–50 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Portfolio pages can be assembled automatically, but choosing work that represents a photographer is personal judgement.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Developing the sound concept for a project from a script or project description
changing shape
The software now makes the first pass at the sound concept, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 85 · 3417/04
Source: “Develop the sound concept for a project from a script or project description.” (UK task statement)
How this row was scored
Exposure score: 43 out of 100 (36–50 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: mistakes that are cheap to catch.
The rating behind it: Concepts can be suggested from a script, but the distinctive sound of a piece is a creative judgement.
The five ratings: output a model can produce 2/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Mixing sounds using a Digital Audio Workstation
changing shape
The software now makes the first pass at sounds, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 85 · 3417/04
Source: “Mix sounds using a Digital Audio Workstation (DAW) to produce audio tracks.” (UK task statement)
How this row was scored
Exposure score: 43 out of 100 (36–50 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Tools can produce a serviceable mix, but a release-quality one is shaped by an engineer listening in the room.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Enhancing or distorting sounds
changing shape
The software now makes the first pass at sounds, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 80 · 3417/04
Source: “Enhance or distort sounds using samplers, synthesisers and audio plug-ins.” (UK task statement)
How this row was scored
Exposure score: 43 out of 100 (36–50 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Plug-ins and samplers already automate much processing, but the creative choices come from the designer.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Evaluating and ensuring the sound quality meets production standards
changing shape
The software now makes the first pass at the sound quality meets production standards, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 90 · 3417/05
Source: “Evaluate and ensure the sound quality meets production standards.” (UK task statement)
How this row was scored
Exposure score: 43 out of 100 (36–50 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Software can measure levels and faults, but judging whether the sound is right needs trained ears.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Adding video or sound to video tapes to enhance content
changing shape
The software now makes the first pass at video, but the deciding part still needs a person. So the job becomes checking and deciding rather than producing.
importance 70 · 3417/06
Source: “Add video or sound to video tapes to enhance content.” (UK task statement)
How this row was scored
Exposure score: 43 out of 100 (36–50 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Adding audio and video layers is editing software work, though final judgement is the editor's.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Coordinating with graphic designers, writers and other creative professionals on project requirements
changing shape
The software now makes the first pass at graphic designers, writers and other creative professionals, but the part that matters is a person saying it and standing behind it. So the job becomes checking and deciding rather than producing.
importance 60 · 3417/03
Source: “Coordinate with graphic designers, writers, and other creative professionals on project requirements.” (UK task statement)
How this row was scored
Exposure score: 40 out of 100 (33–47 allowing for uncertainty): partial exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; the value is that a specific person does it.
The rating behind it: Briefing creative people and reacting to their work is a conversation, not a document.
The five ratings: output a model can produce 2/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 3/4.
Preparing slates that describe the scenes
staying human
This work happens in the physical world: slates, in a real place. Software cannot follow it there.
importance 70 · 3417/01
Source: “Prepare slates that describe the scenes being filmed.” (UK task statement)
How this row was scored
Exposure score: 38 out of 100 (31–45 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: The slate information comes straight from the shooting schedule, though someone must physically mark and show it.
The five ratings: output a model can produce 3/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Viewing films to resolve problems related to exposure control and camera movement
staying human
The ratings behind this row put films well outside what today's tools can do on their own.
importance 70 · 3417/01
Source: “View films to resolve problems related to exposure control and camera movement.” (UK task statement)
How this row was scored
Exposure score: 38 out of 100 (31–45 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: mistakes that are cheap to catch.
The rating behind it: Software can flag exposure and movement problems, but deciding what went wrong needs an experienced viewer.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Identifying suitable subjects and opportunities for photography
staying human
The ratings behind this row put suitable subjects well outside what today's tools can do on their own.
importance 85 · 3417/03
Source: “Identify suitable subjects and opportunities for photography.” (UK task statement)
How this row was scored
Exposure score: 38 out of 100 (31–45 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: mistakes that are cheap to catch.
The rating behind it: Suggestions can be researched, but spotting a picture worth taking depends on being out looking.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Digitising film or video footage for editing and archiving
staying human
This work happens in the physical world: film, in a real place. Software cannot follow it there.
importance 60 · 3417/06
Source: “Digitise film or video footage for editing and archiving.” (UK task statement)
How this row was scored
Exposure score: 38 out of 100 (31–45 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Digitising is a machine process, but someone has to load and handle the physical film or tapes.
The five ratings: output a model can produce 3/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Previewing musical performance programmes prior to events to familiarise with the order and times of pieces
staying human
The ratings behind this row put musical performance programmes prior well outside what today's tools can do on their own.
importance 60 · 3417/06
Source: “Preview musical performance programmes prior to events to familiarise with the order and times of pieces.” (UK task statement)
How this row was scored
Exposure score: 38 out of 100 (31–45 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: mistakes that are cheap to catch.
The rating behind it: Running orders can be summarised, but familiarising yourself with a programme means listening through it.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Advising on optimal scene shooting techniques and the visual impact of shots
staying human
The ratings behind this row put optimal scene shooting techniques well outside what today's tools can do on their own.
importance 90 · 3417/01
Source: “Advise on optimal scene shooting techniques and the visual impact of shots.” (UK task statement)
How this row was scored
Exposure score: 37 out of 100 (30–44 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Shooting technique is well documented and advice can be drafted, but the call depends on this location and this scene.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Determining desired images and picture composition
staying human
The ratings behind this row put desired images well outside what today's tools can do on their own.
importance 85 · 3417/03
Source: “Determine desired images and picture composition.” (UK task statement)
How this row was scored
Exposure score: 37 out of 100 (30–44 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch.
The rating behind it: Composition ideas can be suggested from a brief, but the final framing is decided at the scene.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Discussing and determining clients' specific image requirements and intended usage
staying human
The value here is that a specific person handles clients' specific image requirements and stands behind it. That is earned, not computed.
importance 75 · 3417/03
Source: “Discuss and determine clients' specific image requirements and intended usage.” (UK task statement)
How this row was scored
Exposure score: 35 out of 100 (28–42 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the value is that a specific person does it.
The rating behind it: Briefs can be drafted, but pinning down what a client actually wants is a conversation.
The five ratings: output a model can produce 2/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 2/4.
Meticulouslying plan shots for expensive drama scenes to ensure success in one take
staying human
The ratings behind this row put plan shots well outside what today's tools can do on their own.
importance 85 · 3417/01
Source: “Meticulously plan shots for expensive drama scenes to ensure success in one take.” (UK task statement)
How this row was scored
Exposure score: 32 out of 100 (25–39 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: mistakes that are cheap to catch.
The rating behind it: Shot plans can be drafted and diagrammed, but the fine judgement comes from experience on similar sets.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Reporting malfunctioning equipment to supervisors to arrange repairs
staying human
This work happens in the physical world: equipment, in a real place. Software cannot follow it there.
importance 65 · 3417/02, 3417/06
Source: “Report malfunctioning equipment to supervisors to arrange repairs.” (UK task statement)
How this row was scored
Exposure score: 32 out of 100 (25–39 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Reporting a fault is quick paperwork, but spotting it means being in the kitchen.
The five ratings: output a model can produce 3/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Choosing the most suitable lenses and camera angles
staying human
This work happens in the physical world: the most suitable lenses, in a real place. Software cannot follow it there.
importance 85 · 3417/01
Source: “Choose the most suitable lenses and camera angles.” (UK task statement)
How this row was scored
Exposure score: 29 out of 100 (22–36 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Lens and angle choices can be suggested from a brief, but they are settled by looking through the camera on the day.
The five ratings: output a model can produce 2/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Ensuring complete compatibility between all camera accessories
staying human
This work happens in the physical world: complete compatibility, in a real place. Software cannot follow it there.
importance 75 · 3417/01
Source: “Ensure complete compatibility between all camera accessories, lenses, and peripherals.” (UK task statement)
How this row was scored
Exposure score: 29 out of 100 (22–36 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Compatibility can be checked against documentation, but the certain test is fitting the pieces together.
The five ratings: output a model can produce 2/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Editing raw footage on location to send to television affiliates for broadcast
staying human
This work happens in the physical world: raw footage, in a real place. Software cannot follow it there.
importance 65 · 3417/01
Source: “Edit raw footage on location to send to television affiliates for broadcast.” (UK task statement)
How this row was scored
Exposure score: 29 out of 100 (22–36 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Rough cuts can be assembled automatically, but editing on location is done fast by a person with the footage.
The five ratings: output a model can produce 2/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Programming lighting consoles or loading automated lighting control systems onto consoles
staying human
This work happens in the physical world: consoles, in a real place. Software cannot follow it there.
importance 80 · 3417/02
Source: “Programme lighting consoles or load automated lighting control systems onto consoles.” (UK task statement)
How this row was scored
Exposure score: 29 out of 100 (22–36 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Console programming is partly file work, but it is done at the desk in the venue against the real rig.
The five ratings: output a model can produce 2/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Transferring photographs to computers for editing
staying human
This work happens in the physical world: photographs, in a real place. Software cannot follow it there.
importance 75 · 3417/03
Source: “Transfer photographs to computers for editing.” (UK task statement)
How this row was scored
Exposure score: 29 out of 100 (22–36 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: The transfer itself is automatic, but the cards and cameras have to be handled.
The five ratings: output a model can produce 2/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Adjusting volume and recording levels for optimal audio quality
staying human
This work happens in the physical world: volume, in a real place. Software cannot follow it there.
importance 95 · 3417/05
Source: “Adjust volume and recording levels for optimal audio quality.” (UK task statement)
How this row was scored
Exposure score: 29 out of 100 (22–36 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Levels can be normalised automatically, but riding them properly means an operator listening at the desk.
The five ratings: output a model can produce 2/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Configuring AV over IP systems
staying human
This work happens in the physical world: AV over IP systems, in a real place. Software cannot follow it there.
importance 60 · 3417/05
Source: “Configure AV over IP systems.” (UK task statement)
How this row was scored
Exposure score: 29 out of 100 (22–36 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Configuration files can be generated from documentation, but the network and boxes are commissioned on site.
The five ratings: output a model can produce 2/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Monitoring quality of incoming and outgoing pictures and sound feeds
staying human
This work happens in the physical world: quality, in a real place. Software cannot follow it there.
importance 70 · 3417/06
Source: “Monitor quality of incoming and outgoing pictures and sound feeds.” (UK task statement)
How this row was scored
Exposure score: 29 out of 100 (22–36 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Automatic monitoring flags faults, but someone in the gallery still watches and listens to the feeds.
The five ratings: output a model can produce 2/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Maintaining stock of audio-visual equipment
staying human
This work happens in the physical world: stock of audio-visual equipment, in a real place. Software cannot follow it there.
importance 60 · 3417/06
Source: “Maintain stock of audio-visual equipment.” (UK task statement)
How this row was scored
Exposure score: 29 out of 100 (22–36 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Stock records can be maintained automatically, but counting and checking the kit means handling it.
The five ratings: output a model can produce 2/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Dealing with clients' concerns
staying human
The value here is that a specific person handles clients' concerns and stands behind it. That is earned, not computed.
importance 60 · 3417/03
Source: “Deal with clients' concerns.” (UK task statement)
How this row was scored
Exposure score: 28 out of 100 (21–35 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the value is that a specific person does it.
The rating behind it: Replies can be drafted, but an unhappy client usually wants to hear directly from the photographer.
The five ratings: output a model can produce 2/4 · needs a body in a room 0/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 2/4.
Determining filming sequences with directors and senior camera crew members
staying human
The value here is that a specific person handles sequences and stands behind it. That is earned, not computed.
importance 80 · 3417/01
Source: “Determine filming sequences with directors and senior camera crew members.” (UK task statement)
How this row was scored
Exposure score: 26 out of 100 (19–33 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the value is that a specific person does it.
The rating behind it: Running orders can be drafted, but the sequence is agreed in conversation with the director and crew.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 2/4.
Contributing creative ideas to align with the artistic vision
staying human
The value here is that a specific person handles creative ideas and stands behind it. That is earned, not computed.
importance 75 · 3417/05
Source: “Contribute creative ideas to align with the artistic vision.” (UK task statement)
How this row was scored
Exposure score: 26 out of 100 (19–33 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the value is that a specific person does it.
The rating behind it: Ideas can be generated in quantity, but creative contributions are argued for and agreed in the room.
The five ratings: output a model can produce 2/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 2/4.
Coordinating and conducting videoconferencing setup and testing to ensure optimal performance and adherence to specifications
staying human
This work happens in the physical world: setup, in a real place. Software cannot follow it there.
importance 50 · 3417/05
Source: “Coordinate and conduct videoconferencing setup and testing to ensure optimal performance and adherence to specifications.” (UK task statement)
How this row was scored
Exposure score: 24 out of 100 (17–31 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Settings can be prepared from documentation, but testing a videoconference setup happens in the room.
The five ratings: output a model can produce 2/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Diagnosing and resolving media system problems
staying human
This work happens in the physical world: media system problems, in a real place. Software cannot follow it there.
importance 75 · 3417/06
Source: “Diagnose and resolve media system problems.” (UK task statement)
How this row was scored
Exposure score: 24 out of 100 (17–31 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; mistakes that are cheap to catch; work that happens in the physical world.
The rating behind it: Software can suggest likely causes from logs, but fixing a media system usually means touching cables and hardware.
The five ratings: output a model can produce 2/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Providing training on operating specific equipment like vision mixers
staying human
This work happens in the physical world: operating specific equipment like vision mixers, in a real place. Software cannot follow it there.
importance 75 · 3417/06
Source: “Provide training on operating specific equipment like vision mixers, cameras, monitors, microphones, and lights.” (UK task statement)
How this row was scored
Exposure score: 20 out of 100 (13–27 allowing for uncertainty): low exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Guides can be written automatically, but showing someone how to run a vision mixer happens at the equipment.
The five ratings: output a model can produce 2/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 3/4.
Collaborating with directors or sound designers to determine production sound requirements
staying human
The value here is that a specific person handles directors and stands behind it. That is earned, not computed.
importance 85 · 3417/04, 3417/05
Source: “Collaborate with directors or sound designers to determine production sound requirements.” (UK task statement)
How this row was scored
Exposure score: 17 out of 100 (10–24 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the value is that a specific person does it.
The rating behind it: Working out what a production should sound like happens in live creative conversation with directors.
The five ratings: output a model can produce 1/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 2/4.
Discussing assignments with directors and senior camera crew members
staying human
The value here is that a specific person handles assignments and stands behind it. That is earned, not computed.
importance 75 · 3417/01, 3417/06
Source: “Discuss assignments with directors and senior camera crew members.” (UK task statement)
How this row was scored
Exposure score: 13 out of 100 (6–20 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the value is that a specific person does it.
The rating behind it: Assignment discussions are live conversations where mutual understanding of the job is the point.
The five ratings: output a model can produce 1/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 2/4.
Meeting with other professionals and clients at an early stage to agree on the project brief
staying human
The value here is that a specific person handles other professionals and stands behind it. That is earned, not computed.
importance 75 · 3417/03
Source: “Meet with other professionals and clients at an early stage to agree on the project brief.” (UK task statement)
How this row was scored
Exposure score: 13 out of 100 (9–17 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: the value is that a specific person does it.
The rating behind it: An early briefing meeting is where client trust and shared understanding are built.
The five ratings: output a model can produce 1/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 2/4.
Communicating with performers, director or producer to understand their artistic vision
staying human
The value here is that a specific person handles performers, director or producer and stands behind it. That is earned, not computed.
importance 80 · 3417/05
Source: “Communicate with performers, director, or producer to understand their artistic vision.” (UK task statement)
How this row was scored
Exposure score: 13 out of 100 (9–17 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: the value is that a specific person does it.
The rating behind it: Understanding an artistic vision comes from talking it through with the people who hold it.
The five ratings: output a model can produce 1/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 2/4.
Collaborating with clients and stakeholders to ensure successful productions
staying human
The value here is that a specific person handles clients and stands behind it. That is earned, not computed.
importance 80 · 3417/06
Source: “Collaborate with clients and stakeholders to ensure successful productions.” (UK task statement)
How this row was scored
Exposure score: 13 out of 100 (9–17 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: the value is that a specific person does it.
The rating behind it: Working with clients and stakeholders through a production runs on personal trust.
The five ratings: output a model can produce 1/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 2/4.
Overseeing the technical and creative aspects of studio productions
staying human
This work happens in the physical world: the technical and creative aspects of studio productions, in a real place. Software cannot follow it there.
importance 70 · 3417/01
Source: “Oversee the technical and creative aspects of studio productions.” (UK task statement)
How this row was scored
Exposure score: 11 out of 100 (4–18 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Overseeing a studio production means being across the floor and the gallery while it is being made.
The five ratings: output a model can produce 1/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 2/4.
Coordinating with lighting staff to ensure technical requirements are met
staying human
This work happens in the physical world: lighting staff, in a real place. Software cannot follow it there.
importance 90 · 3417/02, 3417/03
Source: “Coordinate with lighting staff to ensure technical requirements are met.” (UK task statement)
How this row was scored
Exposure score: 11 out of 100 (4–18 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Requirements can be documented, but coordinating with the lighting crew happens in the venue as the rig goes up.
The five ratings: output a model can produce 1/4 · needs a body in a room 2/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 2/4.
Maintaining equipment to ensure proper working condition
staying human
This work happens in the physical world: equipment, in a real place. Software cannot follow it there.
importance 70 · 3417/01, 3417/05
Source: “Maintain equipment to ensure proper working condition.” (UK task statement)
How this row was scored
Exposure score: 10 out of 100 (6–14 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: the same decision, made over and over; work that happens in the physical world.
The rating behind it: Service schedules can be planned automatically, but cleaning, testing and repairing kit is done with your hands.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Labelling contents of exposed film
staying human
This work happens in the physical world: contents of exposed film, in a real place. Software cannot follow it there.
importance 60 · 3417/01
Source: “Label contents of exposed film.” (UK task statement)
How this row was scored
Exposure score: 10 out of 100 (3–17 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; work that happens in the physical world.
The rating behind it: Labelling exposed film means handling the physical cans and cases.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Replacing or substituting equipment not fit for purpose
staying human
This work happens in the physical world: equipment not fit, in a real place. Software cannot follow it there.
importance 60 · 3417/01
Source: “Replace or substitute equipment not fit for purpose as required.” (UK task statement)
How this row was scored
Exposure score: 10 out of 100 (3–17 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; work that happens in the physical world.
The rating behind it: Choosing a substitute can be looked up, but swapping equipment out means physically doing it.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Matching light fixture settings, such as brightness and colour, to lighting design plans
staying human
This work happens in the physical world: light fixture settings, in a real place. Software cannot follow it there.
importance 85 · 3417/02
Source: “Match light fixture settings, such as brightness and colour, to lighting design plans.” (UK task statement)
How this row was scored
Exposure score: 10 out of 100 (3–17 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; work that happens in the physical world.
The rating behind it: The settings are written in the plan, but matching each fixture means adjusting real lamps.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Assessing the image quality of printed materials
staying human
This work happens in the physical world: the image quality of printed materials, in a real place. Software cannot follow it there.
importance 75 · 3417/03
Source: “Assess the image quality of printed materials.” (UK task statement)
How this row was scored
Exposure score: 10 out of 100 (3–17 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; work that happens in the physical world.
The rating behind it: Some checks can be automated, but judging a printed sheet means holding it under the light.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Compiling finished products
staying human
This work happens in the physical world: finished products, in a real place. Software cannot follow it there.
importance 70 · 3417/03
Source: “Compile finished products for sale, such as albums and framed prints.” (UK task statement)
How this row was scored
Exposure score: 10 out of 100 (3–17 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; work that happens in the physical world.
The rating behind it: Layouts can be generated, but albums and framed prints have to be physically made up.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Building a network of contacts
staying human
The value here is that a specific person handles a network of contacts and stands behind it. That is earned, not computed.
importance 65 · 3417/03
Source: “Build a network of contacts.” (UK task statement)
How this row was scored
Exposure score: 10 out of 100 (6–14 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: the value is that a specific person does it.
The rating behind it: A useful contact network exists because particular people know and trust each other.
The five ratings: output a model can produce 1/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 1/4.
Sending film to photofinishing laboratories for processing
staying human
This work happens in the physical world: film, in a real place. Software cannot follow it there.
importance 60 · 3417/03
Source: “Send film to photofinishing laboratories for processing.” (UK task statement)
How this row was scored
Exposure score: 10 out of 100 (0–20 allowing for uncertainty): minimal exposure, medium confidence, and it moved between repeat runs, so the range is widened.
Why it sits in this group: the same decision, made over and over; work that happens in the physical world.
The rating behind it: The paperwork can be prepared, but the film itself has to be packed and sent.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Recording sound onto digital devices
staying human
This work happens in the physical world: sound, in a real place. Software cannot follow it there.
importance 85 · 3417/05
Source: “Record sound onto digital devices.” (UK task statement)
How this row was scored
Exposure score: 10 out of 100 (3–17 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; work that happens in the physical world.
The rating behind it: The recording is automatic, but someone has to be there with the device where the sound happens.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Identifying and reporting faults with equipment and machinery to relevant personnel
staying human
This work happens in the physical world: faults, in a real place. Software cannot follow it there.
importance 70 · 3417/05
Source: “Identify and report faults with equipment and machinery to relevant personnel.” (UK task statement)
How this row was scored
Exposure score: 10 out of 100 (3–17 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; work that happens in the physical world.
The rating behind it: The report can be written automatically, but noticing the fault means being with the equipment.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Switching sources of video input from one camera or studio
staying human
This work happens in the physical world: sources of video input, in a real place. Software cannot follow it there.
importance 70 · 3417/06
Source: “Switch sources of video input from one camera or studio to another, from film to live programming, or from network to local programming.” (UK task statement)
How this row was scored
Exposure score: 10 out of 100 (3–17 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; work that happens in the physical world.
The rating behind it: Switching between sources is done live at the desk in response to what is happening.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Operating cameras mounted in stationary positions
staying human
This work happens in the physical world: cameras, in a real place. Software cannot follow it there.
importance 75 · 3417/01
Source: “Operate cameras mounted in stationary positions.” (UK task statement)
How this row was scored
Exposure score: 8 out of 100 (1–15 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Even a fixed camera needs someone there to frame, focus and react to what happens.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Positioning and plotting lighting for events or productions
staying human
This work happens in the physical world: events, in a real place. Software cannot follow it there.
importance 85 · 3417/02
Source: “Position and plot lighting for events or productions.” (UK task statement)
How this row was scored
Exposure score: 8 out of 100 (1–15 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Plots can be drawn on paper, but positioning lights happens up a ladder in the venue.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Conducting quality assurance checks to ensure product standards are met
staying human
This work happens in the physical world: quality assurance checks, in a real place. Software cannot follow it there.
importance 75 · 3417/03
Source: “Conduct quality assurance checks to ensure product standards are met.” (UK task statement)
How this row was scored
Exposure score: 8 out of 100 (1–15 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Checking that products meet standards means handling and examining them.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Planning and rehearsing shots
staying human
This work happens in the physical world: shots, in a real place. Software cannot follow it there.
importance 85 · 3417/01
Source: “Plan and rehearse shots.” (UK task statement)
How this row was scored
Exposure score: 7 out of 100 (0–14 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Planning can be assisted on paper, but rehearsing shots happens with crew, camera and cast present.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Adapting working practices to ensure safety
staying human
This work happens in the physical world: practices, in a real place. Software cannot follow it there.
importance 80 · 3417/06
Source: “Adapt working practices to ensure safety for all.” (UK task statement)
How this row was scored
Exposure score: 7 out of 100 (0–14 allowing for uncertainty): minimal exposure, medium confidence.
Why it sits in this group: the same decision, made over and over; work that happens in the physical world.
The rating behind it: Safety guidance is documented, but adapting practice happens in the actual working space.
The five ratings: output a model can produce 1/4 · needs a body in a room 3/4 · needs an accountable person 1/4 · needs to be trusted in the moment 1/4 · how much data exists 3/4.
Working closely with other department heads and the general manager
staying human
The value here is that a specific person handles other department heads and stands behind it. That is earned, not computed.
importance 50 · 3417/01
Source: “Work closely with other department heads and the general manager.” (UK task statement)
How this row was scored
Exposure score: 6 out of 100 (2–10 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: the value is that a specific person does it.
The rating behind it: Working closely with department heads runs on established personal working relationships.
The five ratings: output a model can produce 0/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 2/4.
Achieving a reputation for quality and reliability to secure future assignments
staying human
The value here is that a specific person handles a reputation and stands behind it. That is earned, not computed.
importance 70 · 3417/03
Source: “Achieve a reputation for quality and reliability to secure future assignments.” (UK task statement)
How this row was scored
Exposure score: 3 out of 100 (0–7 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: the value is that a specific person does it.
The rating behind it: A reputation is earned over years through how a person actually works with clients.
The five ratings: output a model can produce 0/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 1/4.
Maintaining good working relationships with the director and producer
staying human
The value here is that a specific person handles good working relationships and stands behind it. That is earned, not computed.
importance 80 · 3417/01
Source: “Maintain good working relationships with the director and producer.” (UK task statement)
How this row was scored
Exposure score: 2 out of 100 (0–6 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: the value is that a specific person does it.
The rating behind it: A good working relationship with the director and producer is personal trust built over time.
The five ratings: output a model can produce 0/4 · needs a body in a room 1/4 · needs an accountable person 0/4 · needs to be trusted in the moment 4/4 · how much data exists 1/4.
Working quickly, especially as timing is such an important factor
staying human
This work happens in the physical world: this work, in a real place. Software cannot follow it there.
importance 75 · 3417/01
Source: “Work quickly, especially as timing is such an important factor.” (UK task statement)
How this row was scored
Exposure score: 2 out of 100 (0–6 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Working fast under pressure on a shoot is about a person doing the job in real time.
The five ratings: output a model can produce 0/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 1/4.
Supporting colleagues with their work
staying human
This work happens in the physical world: colleagues, in a real place. Software cannot follow it there.
importance 60 · 3417/01
Source: “Support colleagues with their work as needed, ensuring no detriment to own deadlines.” (UK task statement)
How this row was scored
Exposure score: 1 out of 100 (0–5 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Helping colleagues out is a person stepping in alongside them.
The five ratings: output a model can produce 0/4 · needs a body in a room 3/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 1/4.
Operating cameras and lenses for photography to capture high-quality images
staying human
This work happens in the physical world: cameras, in a real place. Software cannot follow it there.
importance 90 · 3417/01
Source: “Operate cameras and lenses for photography to capture high-quality images.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Taking the photograph means a person holding and aiming a real camera at a real scene.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Adjusting positions and controls of cameras
staying human
This work happens in the physical world: positions, in a real place. Software cannot follow it there.
importance 85 · 3417/01, 3417/03
Source: “Adjust positions and controls of cameras, printers, and related equipment to change focus, exposure, and lighting.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Adjusting the controls on the equipment itself requires hands on the machine.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Following a camera script
staying human
This work happens in the physical world: a camera script, in a real place. Software cannot follow it there.
importance 85 · 3417/01
Source: “Follow a camera script.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Following a camera script means operating the camera as the shoot happens.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Operating television cameras to record scenes for broadcasts and advertising
staying human
This work happens in the physical world: television cameras, in a real place. Software cannot follow it there.
importance 85 · 3417/01
Source: “Operate television cameras to record scenes for broadcasts and advertising.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Operating a television camera during recording is hands-on work in the studio or on location.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Setting up photography equipment and lighting for shoots
staying human
This work happens in the physical world: photography equipment, in a real place. Software cannot follow it there.
importance 85 · 3417/01, 3417/03
Source: “Set up photography equipment and lighting for shoots.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Rigging cameras and lights is physical setup work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Giving technical directions to personnel during filming
staying human
This work happens in the physical world: technical directions, in a real place. Software cannot follow it there.
importance 80 · 3417/01
Source: “Give technical directions to personnel during filming.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Directing crew during filming means being on set as it happens.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 2/4.
Operating the camera and managing all filming aspects when working solo on a project
staying human
This work happens in the physical world: the camera, in a real place. Software cannot follow it there.
importance 80 · 3417/01, 3417/03
Source: “Operate the camera and manage all filming aspects when working solo on a project.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Working solo behind the camera is entirely hands-on shooting.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Setting up equipment for live broadcast shots
staying human
This work happens in the physical world: equipment, in a real place. Software cannot follow it there.
importance 80 · 3417/01
Source: “Set up equipment for live broadcast shots.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Rigging kit for a live broadcast is physical work at the location.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Checking lenses on delivery to ensure that they meet the required specifications
staying human
This work happens in the physical world: lenses, in a real place. Software cannot follow it there.
importance 75 · 3417/01
Source: “Check lenses on delivery to ensure that they meet the required specifications.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: the same decision, made over and over; work that happens in the physical world.
The rating behind it: Checking a lens against its specification means physically handling and testing it.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Resolving technical issues during outside broadcasts
staying human
This work happens in the physical world: technical issues during outside broadcasts, in a real place. Software cannot follow it there.
importance 75 · 3417/01
Source: “Resolve technical issues during outside broadcasts, considering factors like natural light.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Fixing a technical fault during an outside broadcast means being at the truck with the equipment.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Setting up cameras and optical printers
staying human
This work happens in the physical world: cameras, in a real place. Software cannot follow it there.
importance 75 · 3417/01
Source: “Set up cameras and optical printers.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Setting up cameras and optical printers is physical assembly.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Installing and configuring camera equipment for professional photography sessions
staying human
This work happens in the physical world: camera equipment, in a real place. Software cannot follow it there.
importance 70 · 3417/01
Source: “Install and configure camera equipment for professional photography sessions.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Installing and configuring camera kit is hands-on setup.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Reloading camera magazines with fresh raw film stock
staying human
This work happens in the physical world: camera magazines, in a real place. Software cannot follow it there.
importance 70 · 3417/01
Source: “Reload camera magazines with fresh raw film stock.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Reloading film magazines is manual work with the camera.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Setting up and operating ENG microwave vehicles to gather raw footage on location
staying human
This work happens in the physical world: and operating ENG microwave vehicles, in a real place. Software cannot follow it there.
importance 70 · 3417/01
Source: “Set up and operate ENG microwave vehicles to gather raw footage on location.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Operating a broadcast vehicle on location is physical, on-site work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 1/4.
Preparing cables, leads and headphones for filming
staying human
This work happens in the physical world: cables, leads and headphones, in a real place. Software cannot follow it there.
importance 65 · 3417/01
Source: “Prepare cables, leads, and headphones for filming.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Preparing cables and headphones is physical kit work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Repairing and servicing camera equipment
staying human
This work happens in the physical world: camera equipment, in a real place. Software cannot follow it there.
importance 65 · 3417/01
Source: “Repair and service camera equipment.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Repairing camera equipment requires hands and tools.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Visiting and assessing structural and electrical layout of locations before setting up lighting equipment
staying human
This work happens in the physical world: structural, in a real place. Software cannot follow it there.
importance 65 · 3417/01, 3417/02
Source: “Visit and assess structural and electrical layout of locations before setting up lighting equipment.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: A location survey means walking the building and looking at the actual power and structure.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Maintaining and repairing broadcast equipment to ensure proper working condition
staying human
This work happens in the physical world: broadcast equipment, in a real place. Software cannot follow it there.
importance 60 · 3417/01
Source: “Maintain and repair broadcast equipment to ensure proper working condition.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Maintaining and repairing broadcast equipment is hands-on engineering work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Providing physical assistance or advice during tight deadlines
staying human
This work happens in the physical world: physical assistance, in a real place. Software cannot follow it there.
importance 60 · 3417/01
Source: “Provide physical assistance or advice during tight deadlines, two-person tasks, or when colleagues lack knowledge.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Lending a hand to colleagues on a two-person job is physical help.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 2/4 · how much data exists 1/4.
Reviewing and evaluating equipment prior to despatch and conducting full tests for intended configuration
staying human
This work happens in the physical world: equipment prior, in a real place. Software cannot follow it there.
importance 60 · 3417/01
Source: “Review and evaluate equipment prior to despatch and conduct full tests for intended configuration.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: the same decision, made over and over; work that happens in the physical world.
The rating behind it: Testing kit before it goes out means switching it on and checking it by hand.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Handing equipment
staying human
This work happens in the physical world: equipment, in a real place. Software cannot follow it there.
importance 55 · 3417/01
Source: “Hand equipment over to clients, couriers, and drivers in line with organisational logistics procedures.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Handing equipment over to a courier or client happens in person.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Returning rental/loan equipment to original/suitable specification
staying human
This work happens in the physical world: rental/loan equipment, in a real place. Software cannot follow it there.
importance 55 · 3417/01
Source: “Return rental/loan equipment to original/suitable specification after use.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Restoring returned kit to its proper state is physical work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Operating manual or automated systems to control lighting throughout productions
staying human
This work happens in the physical world: manual, in a real place. Software cannot follow it there.
importance 90 · 3417/02
Source: “Operate manual or automated systems to control lighting throughout productions.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Running the lighting through a production means someone at the desk in the moment.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Ensuring all lighting equipment is in working order and carry out tests
staying human
This work happens in the physical world: all lighting equipment, in a real place. Software cannot follow it there.
importance 85 · 3417/02
Source: “Ensure all lighting equipment is in working order and carry out tests.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Checking and testing lighting kit means physically handling every fixture.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Dismantling and storing equipment after performances
staying human
This work happens in the physical world: equipment after performances, in a real place. Software cannot follow it there.
importance 80 · 3417/02
Source: “Dismantle and store equipment after performances.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Taking down and packing away equipment is physical handling work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 1/4.
Installing colour effects or image patterns
staying human
This work happens in the physical world: colour effects, in a real place. Software cannot follow it there.
importance 80 · 3417/02
Source: “Install colour effects or image patterns, like colour filters, onto lighting fixtures.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Fitting gels and gobos onto lanterns is manual work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Erecting rigging or hoisting equipment to support lighting installations
staying human
This work happens in the physical world: equipment, in a real place. Software cannot follow it there.
importance 75 · 3417/02
Source: “Erect rigging or hoisting equipment to support lighting installations.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Rigging and hoisting equipment is heavy physical work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 1/4.
Patching or wiring lights to dimmers or electronic consoles
staying human
This work happens in the physical world: lights, in a real place. Software cannot follow it there.
importance 75 · 3417/02
Source: “Patch or wire lights to dimmers or electronic consoles.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Patching and wiring lights is hands-on electrical work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Fitting electrical cables
staying human
This work happens in the physical world: electrical cables, in a real place. Software cannot follow it there.
importance 70 · 3417/02
Source: “Fit electrical cables.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Fitting cables requires hands on the equipment.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Performing minor repairs on lighting equipment
staying human
This work happens in the physical world: minor repairs, in a real place. Software cannot follow it there.
importance 70 · 3417/02
Source: “Perform minor repairs on lighting equipment, such as replacing bulbs or damaged colour filters.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Changing bulbs and gels is manual repair work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Unloading lighting equipment at event locations
staying human
This work happens in the physical world: equipment, in a real place. Software cannot follow it there.
importance 70 · 3417/02
Source: “Unload lighting equipment at event locations.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Unloading equipment at a venue is physical labour.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 1/4.
Inspecting electrical fixed wiring, portable appliances and equipment in hazardous areas
staying human
This work happens in the physical world: electrical fixed wiring, portable appliances and equipment, in a real place. Software cannot follow it there.
importance 65 · 3417/02
Source: “Inspect electrical fixed wiring, portable appliances, and equipment in hazardous areas.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: the same decision, made over and over; work that happens in the physical world; someone qualified has to answer for it.
The rating behind it: Electrical inspection means testing real circuits and appliances on site.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 3/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Capturing photographs according to project requirements
staying human
This work happens in the physical world: photographs, in a real place. Software cannot follow it there.
importance 90 · 3417/03
Source: “Capture photographs according to project requirements.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Taking the required photographs means being there with a camera.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Capturing images by working in various locations and under different circumstances
staying human
This work happens in the physical world: images, in a real place. Software cannot follow it there.
importance 85 · 3417/03
Source: “Capture images by working in various locations and under different circumstances.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Shooting in varied locations and conditions is physical presence by definition.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Operating cameras and lenses for photography to produce professional photographs
staying human
This work happens in the physical world: cameras, in a real place. Software cannot follow it there.
importance 85 · 3417/03
Source: “Operate cameras and lenses for photography to produce professional photographs.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Producing professional photographs means operating a real camera in front of a real subject.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Selecting and adjusting subjects, equipment and lighting to achieve desired effects
staying human
This work happens in the physical world: subjects, equipment, in a real place. Software cannot follow it there.
importance 85 · 3417/03
Source: “Select and adjust subjects, equipment, and lighting to achieve desired effects.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Adjusting subjects, kit and lighting on the spot is hands-on work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Using traditional or digital cameras
staying human
This work happens in the physical world: traditional, in a real place. Software cannot follow it there.
importance 85 · 3417/03
Source: “Use traditional or digital cameras, along with equipment like tripods, filters, and flash attachments.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Using cameras, tripods and flash is physical equipment operation.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Arranging still life objects, products, scenes, props and backgrounds
staying human
This work happens in the physical world: still life objects, products, scenes, props and backgrounds, in a real place. Software cannot follow it there.
importance 80 · 3417/03
Source: “Arrange still life objects, products, scenes, props and backgrounds.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Arranging props and backgrounds means moving real objects.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Creating artificial light, using flashes and reflectors
staying human
This work happens in the physical world: artificial light, in a real place. Software cannot follow it there.
importance 80 · 3417/03
Source: “Create artificial light, using flashes and reflectors.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Creating light with flashes and reflectors is physical setup at the shoot.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Directing photographic subjects, putting them at ease and providing encouragement
staying human
This work happens in the physical world: photographic subjects, putting them, in a real place. Software cannot follow it there.
importance 80 · 3417/03
Source: “Direct photographic subjects, putting them at ease and providing encouragement.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world; the value is that a specific person does it.
The rating behind it: Putting a subject at ease happens face to face in the moment.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 3/4 · how much data exists 1/4.
Operating and maintaining enlargers, electronic scanners and contacting equipment
staying human
This work happens in the physical world: enlargers, electronic scanners and contacting equipment, in a real place. Software cannot follow it there.
importance 80 · 3417/03
Source: “Operate and maintain enlargers, electronic scanners, and contact equipment.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Operating and maintaining darkroom and scanning equipment is manual work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Utilising lighting equipment to achieve optimal illumination for photography sessions
staying human
This work happens in the physical world: equipment, in a real place. Software cannot follow it there.
importance 80 · 3417/03
Source: “Utilise lighting equipment to achieve optimal illumination for photography sessions.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Using lighting kit to light a shot is physical work at the location.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Developing exposed film using chemicals and developing equipment
staying human
This work happens in the physical world: exposed film, in a real place. Software cannot follow it there.
importance 70 · 3417/03
Source: “Develop exposed film using chemicals and developing equipment.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Developing film with chemicals is manual darkroom work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Estimating light levels for photography using measuring devices
staying human
This work happens in the physical world: light levels, in a real place. Software cannot follow it there.
importance 70 · 3417/03
Source: “Estimate light levels for photography using measuring devices.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: the same decision, made over and over; work that happens in the physical world.
The rating behind it: Metering light means holding a meter at the scene.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Mounting finished photographs
staying human
This work happens in the physical world: finished photographs, in a real place. Software cannot follow it there.
importance 70 · 3417/03
Source: “Mount finished photographs.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Mounting prints is manual finishing work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Preparing the set for shoots
staying human
This work happens in the physical world: the set, in a real place. Software cannot follow it there.
importance 70 · 3417/03
Source: “Prepare the set for shoots.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Preparing a set means moving real things in a real space.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Taking photographs for use in lectures
staying human
This work happens in the physical world: photographs, in a real place. Software cannot follow it there.
importance 70 · 3417/03
Source: “Take photographs for use in lectures, publications, and displays.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Taking photographs for publications means being where the subject is.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Visiting a location before filming
staying human
This work happens in the physical world: a location, in a real place. Software cannot follow it there.
importance 70 · 3417/03
Source: “Visit a location before filming, known as a 'recce', to check its suitability.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: A location recce means physically going and looking at the place.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Laminating finished photographs
staying human
This work happens in the physical world: finished photographs, in a real place. Software cannot follow it there.
importance 65 · 3417/03
Source: “Laminate finished photographs.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Laminating prints is manual finishing work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Testing sound or photographic equipment before filming
staying human
This work happens in the physical world: sound, in a real place. Software cannot follow it there.
importance 65 · 3417/03, 3417/04, 3417/05
Source: “Test sound or photographic equipment before filming.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Testing equipment before a shoot means switching it on and checking it by hand.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Mixing voices, music and sound effects for live performances using sound mixing desks
staying human
This work happens in the physical world: voices, music and sound effects, in a real place. Software cannot follow it there.
importance 90 · 3417/04, 3417/05
Source: “Mix voices, music, and sound effects for live performances using sound mixing desks.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Mixing a live performance means hands on the desk in the room as it happens.
The five ratings: output a model can produce 1/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Setting up recording equipment for sessions and live performances
staying human
This work happens in the physical world: recording equipment, in a real place. Software cannot follow it there.
importance 85 · 3417/04, 3417/05
Source: “Set up recording equipment for sessions and live performances.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Rigging microphones, cables and desks for a session is entirely hands-on work in the room.
The five ratings: output a model can produce 1/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Recording sound onto tape or film for radio or television broadcasts
staying human
This work happens in the physical world: sound, in a real place. Software cannot follow it there.
importance 75 · 3417/04, 3417/05
Source: “Record sound onto tape or film for radio or television broadcasts.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Recording sound for broadcast means microphones and equipment operated where the sound is.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Rigging up microphones
staying human
This work happens in the physical world: microphones, in a real place. Software cannot follow it there.
importance 70 · 3417/04, 3417/05
Source: “Rig up microphones.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Rigging microphones is physical setup.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Completing sound checks before a performance
staying human
This work happens in the physical world: sound checks before a performance, in a real place. Software cannot follow it there.
importance 95 · 3417/05
Source: “Complete sound checks before a performance.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: A sound check means being in the venue with the system running.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Operating the sound desk during shows
staying human
This work happens in the physical world: the sound desk during shows, in a real place. Software cannot follow it there.
importance 90 · 3417/05
Source: “Operate the sound desk during shows.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Running the sound desk during a show means an operator there throughout.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Recording each instrument and vocal track individually in a studio setting
staying human
This work happens in the physical world: each instrument, in a real place. Software cannot follow it there.
importance 90 · 3417/05
Source: “Record each instrument and vocal track individually in a studio setting.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Recording musicians track by track happens in the studio with them.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Adding sound effects, such as echo and equalisation, during a performance
staying human
This work happens in the physical world: sound effects, in a real place. Software cannot follow it there.
importance 85 · 3417/05
Source: “Add sound effects, such as echo and equalisation, during a performance.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Adding effects live during a performance means an operator reacting in the moment.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Operating technical equipment for recording and playback
staying human
This work happens in the physical world: technical equipment, in a real place. Software cannot follow it there.
importance 85 · 3417/05, 3417/06
Source: “Operate technical equipment for recording and playback.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Operating recording and playback equipment is hands-on work at the machine.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Positioning microphones according to determined specifications
staying human
This work happens in the physical world: microphones, in a real place. Software cannot follow it there.
importance 85 · 3417/05
Source: “Position microphones according to determined specifications.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: the same decision, made over and over; work that happens in the physical world.
The rating behind it: Placing microphones means physically positioning them in the space.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 3/4.
Addressing any issues that arise during the performance
staying human
This work happens in the physical world: any issues, in a real place. Software cannot follow it there.
importance 80 · 3417/05
Source: “Address any issues that arise during the performance.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Fixing problems mid-performance means being there to act instantly.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Following a sound plan, plot) for stage production
staying human
This work happens in the physical world: a sound plan, plot), in a real place. Software cannot follow it there.
importance 80 · 3417/05
Source: “Follow a sound plan (plot) for stage production.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Following a sound plot live means an operator at the desk through the show.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Setting up and maintaining sound equipment
staying human
This work happens in the physical world: and maintaining sound equipment, in a real place. Software cannot follow it there.
importance 80 · 3417/05
Source: “Set up and maintain sound equipment.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Setting up and maintaining sound gear is physical work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Setting up studio equipment
staying human
This work happens in the physical world: studio equipment, in a real place. Software cannot follow it there.
importance 80 · 3417/05
Source: “Set up studio equipment.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Setting up studio equipment means handling it in the room.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Operating the boom to capture sound closely
staying human
This work happens in the physical world: the boom, in a real place. Software cannot follow it there.
importance 75 · 3417/05
Source: “Operate the boom to capture sound closely.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Holding a boom close to the action is physical work on set.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Setting up equipment at each venue
staying human
This work happens in the physical world: equipment, in a real place. Software cannot follow it there.
importance 75 · 3417/05
Source: “Set up equipment at each venue.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Setting up at each venue is physical work on the road.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Repairing audio equipment to maintain sound quality
staying human
This work happens in the physical world: audio equipment, in a real place. Software cannot follow it there.
importance 70 · 3417/05
Source: “Repair audio equipment to maintain sound quality.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Repairing audio equipment needs hands and tools.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Setting up and adjusting audio-visual equipment for various events
staying human
This work happens in the physical world: and adjusting audio-visual equipment, in a real place. Software cannot follow it there.
importance 70 · 3417/05
Source: “Set up and adjust audio-visual equipment for various events.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Setting up and adjusting sound and vision equipment is hands-on work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Installing audiovisual equipment, public address systems and projectors
staying human
This work happens in the physical world: audiovisual equipment, public address systems and projectors, in a real place. Software cannot follow it there.
importance 60 · 3417/05
Source: “Install audiovisual equipment including public address systems and projectors.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Installing speakers and projectors is physical installation work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Responding to cues from the deputy stage manager
staying human
This work happens in the physical world: cues, in a real place. Software cannot follow it there.
importance 60 · 3417/05
Source: “Respond to cues from the deputy stage manager.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Taking cues during a performance means being there and responding instantly.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Transporting equipment safely
staying human
This work happens in the physical world: equipment, in a real place. Software cannot follow it there.
importance 60 · 3417/05
Source: “Transport equipment safely.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Moving equipment safely is physical work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 1/4.
Constructing theatre sets and lighting equipment for stage and film productions
staying human
This work happens in the physical world: theatre sets, in a real place. Software cannot follow it there.
importance 90 · 3417/06
Source: “Construct theatre sets and lighting equipment for stage and film productions.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Building sets and rigs is construction work with tools.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 1/4.
Assembling audio and video equipment
staying human
This work happens in the physical world: audio, in a real place. Software cannot follow it there.
importance 85 · 3417/06
Source: “Assemble audio and video equipment.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Assembling audio and video equipment is hands-on work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Cuing technicians for scene changes
staying human
This work happens in the physical world: technicians, in a real place. Software cannot follow it there.
importance 85 · 3417/06
Source: “Cue technicians for scene changes.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Cueing technicians during a show means being there as it runs.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Ensuring that you work safely
staying human
This work happens in the physical world: you work, in a real place. Software cannot follow it there.
importance 85 · 3417/06
Source: “Ensure that you work safely, particularly when working on practical effects.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Working safely with practical effects is about how a person physically behaves on site.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Operating stage and suspension systems to support scene changes
staying human
This work happens in the physical world: stage, in a real place. Software cannot follow it there.
importance 85 · 3417/06
Source: “Operate stage and suspension systems to support scene changes.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Operating stage and flying systems is physical work with heavy equipment.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 1/4.
Dynamicallying risk assess the work environment and situation
staying human
This work happens in the physical world: risk assess the work environment, in a real place. Software cannot follow it there.
importance 80 · 3417/06
Source: “Dynamically risk assess the work environment and situation.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Assessing risk as conditions change means being present and seeing them.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Assisting in producing live broadcast programmes to ensure technical quality
staying human
This work happens in the physical world: producing live broadcast programmes, in a real place. Software cannot follow it there.
importance 75 · 3417/06
Source: “Assist in producing live broadcast programmes to ensure technical quality.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Helping produce a live broadcast means being in the gallery as it goes out.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Executing effects under the direction of a senior technician or supervisor as part of a team
staying human
This work happens in the physical world: effects under the direction of a senior technician, in a real place. Software cannot follow it there.
importance 75 · 3417/06
Source: “Execute effects under the direction of a senior technician or supervisor as part of a team.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Executing effects during a show is physical work carried out on cue.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 1/4 · how much data exists 2/4.
Maintaining and repairing technical equipment
staying human
This work happens in the physical world: technical equipment, in a real place. Software cannot follow it there.
importance 75 · 3417/06
Source: “Maintain and repair technical equipment.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Maintaining and repairing technical equipment needs hands on the kit.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Operating the lighting
staying human
This work happens in the physical world: this work, in a real place. Software cannot follow it there.
importance 75 · 3417/06
Source: “Operate the lighting for events, such as live concerts, before, after performances, and during intervals.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Operating event lighting means an operator at the desk during the show.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Testing or maintaining equipment to ensure correct performance
staying human
This work happens in the physical world: equipment, in a real place. Software cannot follow it there.
importance 75 · 3417/06
Source: “Test or maintain equipment to ensure correct performance.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Checking and maintaining equipment means physically handling it.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Carrying out minor repairs on audio and video equipment
staying human
This work happens in the physical world: minor repairs, in a real place. Software cannot follow it there.
importance 70 · 3417/06
Source: “Carry out minor repairs on audio and video equipment.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Minor repairs still mean opening the equipment up.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Preparing and assembling materials needed for scenic construction projects
staying human
This work happens in the physical world: materials, in a real place. Software cannot follow it there.
importance 70 · 3417/06
Source: “Prepare and assemble materials needed for scenic construction projects.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Preparing and assembling scenic materials is workshop work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 1/4.
Preparing and packing systems for local or international transportation prior to the event
staying human
This work happens in the physical world: systems, in a real place. Software cannot follow it there.
importance 65 · 3417/06
Source: “Prepare and pack systems for local or international transportation prior to the event.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Packing systems for transport is physical work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.
Setting up and loading the obtained videotapes
staying human
This work happens in the physical world: and loading the obtained videotapes, in a real place. Software cannot follow it there.
importance 65 · 3417/06
Source: “Set up and load the obtained videotapes.” (UK task statement)
How this row was scored
Exposure score: 0 out of 100 (0–4 allowing for uncertainty): minimal exposure, high confidence.
Why it sits in this group: work that happens in the physical world.
The rating behind it: Loading tapes into machines is manual work.
The five ratings: output a model can produce 0/4 · needs a body in a room 4/4 · needs an accountable person 0/4 · needs to be trusted in the moment 0/4 · how much data exists 2/4.

What this job pays, and how many people do it

Median pay: £32,600a year, before tax, the middle of the range, so half earn more and half earn less.ashe-t14, 2025 · ASHE 2025 provisional (reference April 2025)Provisional, because the ONS revises this figure in the autumn.
How we know this
Source: ashe-t14
Reference period: ASHE 2025 provisional (reference April 2025)
Rounding: Shown to the nearest £100. The exact published figure is in the downloadable dataset. We do not render pounds the survey cannot support.
People doing this job: 81,300in the UK, 2026.nomis-aps · Apr 2025-Mar 2026 (latest APS 12-month period)This headcount comes from a survey, not a census, so treat it as a good estimate rather than an exact count.

What is deliberately not here: a forecast of how many of these jobs exist in ten years. Where an official projection exists for a market we publish it with its vintage; where it does not, we leave the space empty rather than borrow the other country’s number.

Why this is shifting

The reason is boringly specific. Most of what is shifting here is reading one thing and writing another: instruments, vocals and other sounds in, a record out. The rows above are exactly that shape: separating instruments, vocals and other sounds during the mixing stage and creating musical instrument digital interface programmes for music projects. What it cannot do is be there in the room, and that is still where volume level gets done. Which is why this page talks about your tasks changing, not your job ending.

Your move

Over a pint: what I’d tell you if you were my friend

Start with what does not change: regulating volume level and sound quality during recording sessions using control consoles is the middle of this job, and the evidence on this page says it stays with a person.

So, given all that: 15% of this job's task weight sits in rows the software is already learning, 12% in rows that change shape rather than disappear, and 73% in rows it is nowhere near. That is the position, measured across 197 scored tasks. It is not a forecast about you.

So the thing worth your attention is not the job going away. It is the layer around it. Separating instruments, vocals and other sounds during the mixing stage is the part turning into software, and being the person who understands that layer is worth money.

This week: one thing

Ask the one question. Find whoever is bringing new software into your workplace (the manager, the office, whoever runs the system) and ask them what it is meant to do to instruments, vocals and other sounds, and what it is not meant to touch. Ten minutes, this week, before anyone decides it for you.

What you end up holding: a straight answer about what is actually being rolled out, and when
How long it takes: ten minutes

If there’s nobody obvious to ask, or you’d rather not ask your manager: Put the same question to your union rep, your shift lead or the person who has been there longest, in person, over a break. Same ten minutes, same answer, and you will usually get a straighter one. Write down what they say. The note is the artifact, and it tells you whether volume level is in scope or not. Nothing to log into, no licence needed.

Over the next 90 days

Get inside the tool rollout rather than waiting for it. Over the next ninety days, ask to be in the group that tests, checks or signs off whatever new system arrives near combining sounds during the postproduction stage. It is usually an unglamorous seat that nobody fights for, and it is the one that decides how the software is used on your job rather than to it.

Over the next 12 months

On this evidence I would not retrain out of this job, and I will say that plainly rather than hedge it. The task list here is dominated by work that stays with a person. What I would do with a year is get formally recognised for the layer around it (the systems, the compliance, the planning), so you are the one who understands the software instead of the one it is done to. Before you pay for anything, spend an hour with National Careers Service. It is free and government-funded, and it is listed below with the rest of the free routes.

The roads out of here, and why I am not sending you down them

I looked at the obvious moves out of this job, and here is what I found.

I checked the 12 nearest UK occupations to photographers, audio-visual and broadcasting equipment operators (nearest by the work that AI is not taking, not by job title), and none of them survived. The closest was electronics engineers (professional): only about 4% of its durable work is work you already do. And on the numbers you do not need one. This job scores 23/100 here, with only 15% of the task list in the top band, and “regulate volume level and sound quality during recording sessions using control consoles” is not work that hands over cleanly. None of them beats deepening what you already have.

How that was checked: this job was compared against all 412 UK occupations in this release on their official task statements, and the 12 nearest were examined one by one. A move that turns on an industry, an employer or a qualification rather than on the work itself will not show up in a check like that. And this release carries no licence register, so anything you are weighing needs that looked up separately.

3 moves I checked and rejected

These are the obvious-looking jumps. They are here with their reasons rather than quietly dropped, because the ones that fail are worth knowing about. It is one less thing to turn over at night.

Electronics engineers (professional)
Why it looked obvious: It came up as a near neighbour because one of your tasks is on their list in the same words: “regulate volume level and sound quality during recording sessions using control consoles”. Across the whole of both lists that adds up to about 4% of the work in that job the software is not taking.
Why I am not recommending it: Almost none of it is work you already do: about 4% of the durable side of that job. That is a different job, not a next step.
Look at that job’s page anyway →
Arts officers, producers and directors
Why it looked obvious: It came up as a near neighbour because one of your tasks is on their list in the same words: “advise on optimal scene shooting techniques and the visual impact of shots”. Across the whole of both lists that adds up to about 4% of the work in that job the software is not taking.
Why I am not recommending it: Almost none of it is work you already do: about 4% of the durable side of that job. That is a different job, not a next step.
Look at that job’s page anyway →
Actors, entertainers and presenters
Why it looked obvious: It came up as a near neighbour because one of your tasks is on their list in the same words: “operate technical equipment for recording and playback”. Across the whole of both lists that adds up to about 3% of the work in that job the software is not taking.
Why I am not recommending it: Almost none of it is work you already do: about 3% of the durable side of that job. That is a different job, not a next step. This release publishes no median pay for that job, so I cannot show you what the move costs or pays. I do not recommend a move I cannot price.
Look at that job’s page anyway →

What I’d stop worrying about

A friend tells you what not to spend fear on. This is that list.

The headline number you read somewhere
The big “X% of jobs” figures are about the whole economy, not about you. The number that describes your job is on this page: 15% of its task weight, across 197 scored tasks. Every row behind it is printed above with the source. Check ours; ignore theirs.
The headlines about your trade disappearing
They are usually about the technology, not the timetable. Changes to work like regulating volume level and sound quality during recording sessions using control consoles arrive through rules, insurance and money, slowly and visibly. This page tracks the task evidence and will move when it moves.
Retraining out of a job that is holding up
On this evidence I would not spend money leaving. Spend it on the layer around the job instead: the tools, the paperwork, the planning. That is where the change actually is.
The “obvious” next job everyone suggests
I checked the obvious moves and most of them did not survive. The reasons are printed with the routes above, including the pay and the gate. A move that fails on the numbers is worth knowing about so you can stop turning it over at night.

You are reading the United Kingdom figures

The United States splits this work across more than one official group, of which Artists and Related Workers, All Other is the closest. The pay and employment figures are not directly comparable, and we do not average them together.

Switch to the United States page →partial match

The other groups this work is counted across:

In US official statistics this job is counted as Artists and Related Workers, All Other, Audio and Video Technicians, Broadcast Technicians, Sound Engineering Technicians, Lighting Technicians, Camera Operators, Television, Video, and Film, Media and Communication Equipment Workers, All Other, Costume Attendants, Entertainment Attendants and Related Workers, All Other and Communications Equipment Operators, All Other. Pay is shown separately for each of those groups (medians cannot be averaged together), while the task list and the scores on this page are for this group only.

Your route through this

Where to go next, and what it costs

Free, and complete

The moves above cost nothing. These are the real services that go with them: public, government-funded, and free at the point of use. Nothing on this page is behind an email address or a payment.

In England:
National Careers Service
A free hour with a government-funded careers adviser is worth more than another evening of reading. In England that's the National Careers Service.
Free, government-funded
- Discover your skills and careers (the skills assessment)
In England:
National Careers Service - Find a course
Search what's actually running near you before you spend anything.
Free to search; individual courses vary
In England:
Free courses for jobs (Level 3 qualifications)
A free Level 3 qualification you already qualify for beats a paid course you don't need.
Free for eligible adults
In England:
Skills Bootcamps
Free, up to 16 weeks, and you get a job interview at the end. In England these are Skills Bootcamps - search what's running near you.
Free for eligible adults in England
- Skills Bootcamps - what they are and who can do them (DfE, Skills for Careers)
- Skills Bootcamps - JobHelp (DWP)
In Scotland:
My World of Work (Skills Development Scotland)
In Scotland it's My World of Work, from Skills Development Scotland.
Free, publicly funded
- Skills Development Scotland
In Wales:
Careers Wales
In Wales it's Careers Wales.
Free, Welsh Government-funded
In Northern Ireland:
Careers Service Northern Ireland
In Northern Ireland it's the Careers Service on nidirect.
Free, Department for the Economy-funded

No Space for this job, but one for what is happening to it

Nothing Collab365 runs is built for photographers / audio-visual / broadcasting equipment operators, and we are not going to point you at the nearest one and call it a fit.

There is one that is not about a job title at all. The AI Authority is about being the person who directs these tools at work rather than the person they get compared to. That is worth saying here, because 15% of the work on this page is already inside what they can do.

Try The AI Authority free →

7 days free, no card needed. Explore up to 2 Spaces before you choose a plan: you pick a plan later, not now.

The AI Authority is a general community about working with AI, not a course for photographers / audio-visual / broadcasting equipment operators. You do not need it to act on anything here: the moves above cost nothing and stand on their own. The data on this page is the same either way.

Noted, and thank you. We’ll email you if a Space for photographers / audio-visual / broadcasting equipment operators launches. Nothing else.

That did not look like an email address, so nothing was saved. Have another go below.

We could not save that. The fault is ours, not yours, and your address was not stored. Please try again later.

No Space for photographers / audio-visual / broadcasting equipment operators yet. Should there be one?

Collab365 Spaces is built by the same people as this site. We find the problems that AI and automation are creating inside one kind of work, then solve them as short courses, briefings and Blueprints. Each Space is the community too, so the research and the people doing your job are in the same place.

What a Space actually is, in full

Collab365 launches new communities where the need is real. If one for photographers / audio-visual / broadcasting equipment operators existed, with researched problems, courses and people in the same boat, would you want in?

Your email

We use your email address for one thing: to tell you if a Space for photographers / audio-visual / broadcasting equipment operators launches. We never sell it, never use it for unrelated marketing, and every email has a one-click unsubscribe. Our privacy policy has the full version.

This unlocks nothing. Every figure, every row and every step on this page is already yours, whether you fill this in or not.

No deadline on any of this. The page will still be here, and the data is refreshed on a published schedule rather than when someone wants a headline.

Questions people ask about this job

Will AI replace Photographers, audio-visual and broadcasting equipment operators?: Not as a job, but it is already doing parts of the work. Across the 197 official task statements scored for Photographers, audio-visual and broadcasting equipment operators (United Kingdom, SOC 3417), 15% of the importance-weighted core work is made of tasks today's AI could already do most of. The overall exposure score is 23 out of 100 (range 20–28, band: low). That is a statement about tasks, not about headcount: this measures what AI could do, not whether any employer adopts it, whether the law allows it, or whether doing the routine parts faster creates more demand for the human parts. Figures are from release 2026-q4.1.
Which tasks in “Photographers, audio-visual and broadcasting equipment operators” can AI already do?: The highest-scoring tasks in release 2026-q4.1 are: “Keep up to date with filming methods and equipment” (93/100, very high); “Maintain accurate records of work performed, including maintenance schedules, repairs, and parts used” (93/100, very high); “Update equipment lists accurately and inform relevant parties of changes” (93/100, very high). Each score comes from five published 0–4 ratings turned into a number by a published formula, and each carries the model's one-sentence reason on the page.
Which tasks in “Photographers, audio-visual and broadcasting equipment operators” stay human?: About 73% of this job's task weight sits in work that scores low for AI exposure. The lowest-scoring tasks in release 2026-q4.1 are: “Set up and load the obtained videotapes” (0/100, minimal); “Prepare and pack systems for local or international transportation prior to the event” (0/100, minimal); “Prepare and assemble materials needed for scenic construction projects” (0/100, minimal). Low scores usually mean the task needs a body in a room, a legally accountable human, or trust built in real time. Those are the three things the scoring rubric treats as gates rather than obstacles.
What should someone working in “Photographers, audio-visual and broadcasting equipment operators” do about AI?: Start from the ledger rather than the headline: 15% of this job's weighted core work is exposed, and roughly 73% is not. The practical move is to spend more of your week on the tasks that score low, the ones above, and to get fluent at directing AI through the tasks that score high, because those are the parts that change whether or not you are ready for them. This page does not predict your job, and nothing here is career advice tailored to you: the score describes the occupation, not the person.
How is the AI exposure score for Photographers, audio-visual and broadcasting equipment operators calculated?: Each official task statement for the occupation is rated on five published 0–4 dimensions (output replicability, physical embodiment, licensed accountability, real-time human trust, and data availability) by claude-opus-5 using scoring prompt task_scoring_v1.0. The model never writes the score; a published formula turns the five ratings into a 0–100 number, so every score can be recomputed by hand. The occupation figure is the importance-weighted mean across 197 scored tasks. The prompt, the rubric, the formula and the full dataset are published at https://futureproof.collab365.com/method and https://futureproof.collab365.com/data/2026-q4.1 under CC BY 4.0.

Where these numbers come from

About the data on this page

Provisional, because the ONS revises this figure in the autumn.
This headcount comes from a survey, not a census, so treat it as a good estimate rather than an exact count.
One task scored differently between repeat runs, so its range on this page is wider. We would rather show the wobble than hide it.
The match between this job and its counterpart in the other country is partial, so the two pages count slightly different groups of people.
30 of this occupation's scored task statements carry a score that was measured under a different occupation's context, because the statement is shared between jobs and has only been scored once so far. Each one names the occupation it was measured under in the free routes below; none is presented as a measurement for this job.
Task clusters are not derived in this release, so the task-cluster field is empty and no Collab365 Space routing is attached to this occupation yet.

Task statements: gaisi-indexProcessing: catalogue-bridge → ssc-relatedness-weighting → task-scoring → score-aggregation
Task weights: gaisi-index (relatedness)
Scores: Rubric task_scoring_v1.0, model claude-opus-5, computed 2026-08-05.
Pay and employment: ashe-t14 (ASHE 2025 provisional (reference April 2025))nomis-aps (Apr 2025-Mar 2026 (latest APS 12-month period))

Figures on this page come from release 2026-q4.1, published 2026-08-05. Every release keeps its own permanent address, so a figure you cite in March is still there, unchanged, in November.

The plain-English wording on this page is assembled directly from the task statements and the published ratings, not written by hand for this occupation. That is why it is specific, and it is also why we say so.

The routes and free resources further up are today’s, not the release’s (last reviewed 2026-08-05). A route is an offer, not a historical fact, so it moves on its own clock.

How we score a job Download this release Look up another job

Using these figures?

Cite this

Everything on this site is published under CC BY 4.0. Quote it, chart it, sell something built on it. Just say where it came from, and cite the dated release rather than the site, so the figure you quote stays checkable.

Plain text

Collab365 (2026). Collab365 Futureproof: task-level AI exposure for US and UK occupations, release 2026-q4.1 (methodVersion 2.0.0, promptVersion task_scoring_v1.0). https://futureproof.collab365.com/data/2026-q4.1. Licensed CC BY 4.0. Built with O*NET data (USDOL/ETA, CC BY 4.0); ONS data (Open Government Licence v3.0); GAISI task framework (arXiv:2507.22748, MIT); BLS data (public domain).

BibTeX

@misc{collab365futureproof2026q41,
  title        = {Collab365 Futureproof: task-level AI exposure for US and UK occupations, release 2026-q4.1},
  author       = {{Collab365}},
  year         = {2026},
  url          = {https://futureproof.collab365.com/data/2026-q4.1},
  note         = {Release 2026-q4.1, methodVersion 2.0.0, promptVersion task_scoring_v1.0, CC BY 4.0}
}

Permalink

https://futureproof.collab365.com/data/2026-q4.1

Data as of release 2026-q4.1, published 2026-08-05. Releases never change after publication; when the figures move, a new dated release is published beside this one and this one stays exactly where it is.